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Whether this touch of mystery added charm to the paintings; or whether there was already forming in him what afterward became an instinctive resistance to many of the dictates of his age; certain it is that, even after he had been privileged to admire the stupendous works of the Caracci at Parma and of the immortal Giulio Romano at Mantua, Odo's fancy always turned with peculiar fondness to the clear-limbed youths moving in that world of untroubled beauty.
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