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To a great extent their corporeal features suggest an infantile or child-like stage of development, and the same is true of their intellectual condition and of their productions. Their habitations are very primitive, either caves or low clay-made huts, of the shape of half an egg.

And the experience of Nathaniel Armitage, divinity student, was the experience likewise of Alice Blatchley, who had fallen in love with him at first sight, having found him the divinest dancer she had ever whirled with to the sensuous music of the waltz; of Horatio Camelford, journalist and minor poet, whose journalism earned him a bare income, but at whose minor poetry critics smiled; of Jessica Dearwood, with her glorious eyes, and muddy complexion, and her wild hopeless passion for the big, handsome, ruddy-bearded Dick Everett, who, knowing it, only laughed at her in his kindly, lordly way, telling her with frank brutalness that the woman who was not beautiful had missed her vocation in life; of that scheming, conquering young gentleman himself, who at twenty-five had already made his mark in the City, shrewd, clever, cool-headed as a fox, except where a pretty face and shapely hand or ankle were concerned; of Nellie Fanshawe, then in the pride of her ravishing beauty, who loved none but herself, whose clay-made gods were jewels, and fine dresses and rich feasts, the envy of other women and the courtship of all mankind.

Divine as she was, dauntless as she was in battle, she was human also. She was not solely a saint, an angel, she was a clay-made girl also as human a girl as any in the world, and full of a human girl's sensitiveness and tenderness and delicacies. And so, that death! No, she could not have lived the three months with that one before her, I think.