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William Enfield, whose name has a classical sound in my ears, because, when a little boy, I used to read his "Speaker" at school. In the vestry of the chapel there were many books, chiefly old theological works, in ancient print and binding, much mildewed and injured by the damp.

While in the once famous seats of arts and arms scarcely a ray of native genius or courage was visible, the light of human intellect still burned in lands whose barbarism had furnished matter for the sarcasm of classical writers.

When Graeme was nineteen, his uncle invited him to town for a month a most unusual proceeding. During this period he studied closely his nephew's character. At the end of this term, Mr. Hargrave and his young charge were on their way to the classical regions, where their fancy had been so long straying.

The library is a vast unexplored mine of wealth. Unknown literary treasures are contained in the closed cabinets. Among the thirty thousand manuscripts may be hid some of the ancient classical and early Christian treatises, which have been lost for ages, and whose recovery would excite the profoundest interest throughout the civilised world.

With regard to the general construction of the piece it is hardly too much to say that the skill with which the author has enlarged a masque-subject into a regular drama, altered a classical legend to subserve a particular aim, and conducted throughout the multiple perhaps rather than complex threads of his plot, mark him out as pre-eminent among his contemporaries.

So I was cut down in my classical studies, and drawn out in those which were mathematical. Likewise I was sent the year before entering the university to a senior wrangler to ripen me.

We plead for the preservation of literature, especially classical literature, as the staple of education in the name of beauty and understanding: but no less do we demand science in the name of truth and advancement. Given that our demand succeeds, what consequences may we expect? Nothing immediate, as I fear.

Every trot is a jog, and so, for that matter, is every canter. A dog-trot takes its name from the even motion of the smaller quadruped, when it is seized with no particular mania, and is yet disposed to go stubbornly forward. It is in more classical dialect, the festina lente motion. It is regularly forward, and therefore fast it never puts the animal out of breath, and is therefore slow.

Before the true Hellenes reached Crete, an Asianic dialect must have been spoken there, and to this language the word "labyrinth" must originally have belonged. The classical labyrinth was "in the Knossian territory." The palace of Knossos was emphatically the chief seat of the worship of a god whose emblem was the double-axe; it was the Knossian "Place of the Double-Axe," the Cretan "Labyrinth."

In the history of the drama, he is important for finished style, good dialogue, considerable invention in the way he secured interest, by using classical matter in combination with contemporary life, subtle comedy, and influence on Shakespeare. It is doubtful whether Shakespeare could have produced such good early comedies, if he had not received suggestions from Lyly's work in this field.