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Slowly they came, the grave, armoured knights riding with their visors up that all might see how well the tanner, Giovanni, and Enrico Lupi of the wine-shop, looked in chain mail; gay, velvet-clad pages carrying the silk-embroidered standards of their contrade with all the fine airs of the lads who stand about the bier of Saint Catherine in Ghirlandaio's fresco in the Duomo; lithe, slender alfieri tossing their flags, twisting them about in the carefully-concerted movements that look so easy and are so difficult, until the whole great Piazza was girdled with fluttering light and colour, while it echoed to the thrilling and disquieting beat of the drums.

Each armed inhabitant knows the smallest paths and their connections; he finds everywhere a relative or friend who aids him; the commanders also know the country, and, learning immediately the slightest movement on the part of the invader, can adopt the best measures to defeat his projects; while the latter, without information of their movements, and not in a condition to send out detachments to gain it, having no resource but in his bayonets, and certain safety only in the concentration of his columns, is like a blind man: his combinations are failures; and when, after the most carefully-concerted movements and the most rapid and fatiguing marches, he thinks he is about to accomplish his aim and deal a terrible blow, he finds no signs of the enemy but his camp-fires: so that while, like Don Quixote, he is attacking windmills, his adversary is on his line of communications, destroys the detachments left to guard it, surprises his convoys, his depots, and carries on a war so disastrous for the invader that he must inevitably yield after a time.