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He divides his life between a beautiful residence at Genoa, where he overlooks the waters of the sparkling Mediterranean, and a country villa near his native Busseto, a house of quaint artistic architecture, approached by a venerable, moss-grown stone bridge, at the foot of which are a large park and artificial lake.

Giuseppe went to Pugnatta's; and while he was always in his place in school and studied diligently, he still kept his situation as organist of Le Roncole, walking there every Sunday morning and back again to Busseto after the evening service. His pay as organist was very small, but he also made a little money playing for weddings, christenings and funerals.

Nothing daunted, he pursued his studies with ardor under Lavigna, from 1831 to 1833, when, according to agreement, he returned to Busseto to take the place of his old teacher Provesi, now deceased. After five unhappy years in a town where he was little appreciated, Verdi returned to Milan.

It may be imagined the delighted boy did not refuse the kind invitation, and the acquaintance soon ripened into intimacy, for the rich merchant learned to regard the bright young musician with much affection, which it is needless to say was warmly returned. Verdi was untiring in study and spent the early years of his youth in humble quiet, in the midst of those beauties of nature which have so powerful an influence in molding great susceptibilities. At his seventeenth year he had acquired as much musical knowledge as could be acquired at a place like Busseto, and he became anxious to go to Milan to continue his studies. The poverty of his family precluding any assistance from this quarter, he was obliged to find help from an eleemosynary fund then existing in his native town. This was an institution called the Monte di Piet

An event soon occurred which was destined to wield a lasting influence on his destiny. He one day heard a skillful performance on a fine piano, while passing by one of the better houses of Busseto.

I wished, whatever trouble it might give to me, to pay my lodging on the day fixed, and although much annoyed at being obliged to have recourse to a third person, I nevertheless decided to beg the engineer Pasetti to ask Merelli on my behalf for the fifty ecus which I wanted, either in the form of an advance under the conditions of my contract, or by way of loan for eight or ten days, that is to say the time necessary for writing to Busseto and receiving the said sum.

You have a gift for Latin and it would be much better for you to become a priest. What do you expect from your music? Do you think that some day you will become organist of Busseto? Stuff and nonsense! That can never be." A short time after this, there was a mass at a chapel in Busseto, where the Canon had the service.

The estate was situated about two miles from Busseto, and was very large, with a great park, a large collection of horses and other live stock. The residence was spacious, and the master's special bedroom was on the first floor. It was large, light and airy and luxuriously furnished.

She writes very modestly that so many are sold and in private hands that she will give no list of subjects. <b>MASSARI, LUIGIA.</b> Medal at Piacenza, 1869, and several other medals from art societies. Born at Piacenza, 1810. Pupil of A. Gemmi. Her works are in a number of churches: "St. Martin" in the church at Altoé; "St. Philomena" in the church at Busseto; the "Madonna del Carmine" and "St.

He adds: "I wrote the libretto, scene by scene, phrase by phrase, in French prose, at Busseto, under the eye of the maestro, who took a large share in the work. The idea of the finale of the last act, with its two stages, one above the other, belongs especially to him."