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An explanation ensued, and the publisher at once began to form plans for the amusement of the visitors during their three days' stay in London. In September, 1848, her brother Branwell died. After the Sunday succeeding Branwell's death, Emily Brontë never went out of doors, and in less than three months she, too, was dead. To the last she adhered tenaciously to her habits of independence.

But there is not a shadow of evidence that she thought what M. Dimnet thinks, or that if she had thought it she made Charlotte and Emily think it too. Branwell's state was quite enough in itself to break their hearts. His letters to Leyland, to John Brown, the sexton, to Francis Grundy, record with frightful vividness every phase of his obsession.

Five of these motherless children were girls and one a boy. As you stand there in that stone church at Haworth reading the inscription above Maria Branwell's grave, you can also read the death record of the babes she left.

He compares it with "Hamlet" and with "Lear". There is also Branwell's alleged statement to Mr. Grundy. And there is an obscure legend of manuscripts produced from Branwell's hat, before the eyes of Mr. Grundy, in an inn-parlour. Leyland argues freely from the antecedent probability suggested by Branwell's letters and his verse, which he published by way of vindication.

That wretched story is always cropping up again. The lady whom Mrs. Gaskell, with a murderous selection of adjectives, called "that mature and wicked woman", has been cleared as far as evidence and common sense could clear her. But the slander is perpetually revived. It has always proved too much for the Brontë biographers. Madame Duclaux published it again twenty years after, in spite of the evidence and in spite of Mrs. Gaskell's retractation. You would have thought that Branwell might have been allowed to rest in the grave he dug for himself so well. But no, they will not let him rest. Branwell drank, and he ate opium; and, as if drink and opium and erotic madness were not enough, they must credit him with an open breach of the seventh commandment as well. M. Dimnet, the most able of recent critics of the Brontës, thinks and maintains against all evidence that there was more in it than Branwell's madness. He will not give up the sordid tragedy

When she was gone, I came over here to the 'Black Bull' and made a note of it...." You see the implication? It was Charlotte who drove him to the "Black Bull". That was Branwell's impression of Charlotte. Just the sort of impression that an opium-eater would have of a beloved sister. But Branwell's impression was good enough for Madame Duclaux to found her theory on.

There are corpses in it and tombstones, and girls dying of tuberculosis, obscured beyond recognition in a mush of verbiage. There is not a live line in it. One sonnet only, out of Branwell's many sonnets, is fitted to survive. It has a certain melancholy, sentimental grace. But it is not a good sonnet, and it shows Branwell at his best.

Nicholls, but with that gentleman's full consent. My chief contribution to the Bronte controversy after the publication of the "monograph" was a lecture delivered at the Royal Institution in 1895 on Emily Bronte and the authorship of "Wuthering Heights," in which I set forth the theory that Emily had, in part, been inspired in her description of the mad Heathcliffe and his terrible ravings by the bitter experiences through which she passed as an eyewitness of her brother Branwell's last days.

The father, ignorant of many failings in moral conduct, did proud homage to the great gifts of his son; for Branwell's talents were readily and willingly brought out for the entertainment of others. Popular admiration was sweet to him.

On September the thirtieth she was in church listening to his funeral sermon. After that, she never crossed the threshold of the Parsonage till in December her dead body was carried over it, to lie beside her brother under the church floor. In October, a week or two after Branwell's death, Charlotte wrote: "Emily has a cold and cough at present." "Emily's cold and cough are very obstinate.