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He made no effort to restrain the exclamation that followed this discovery. "You drew these pictures for Bram," he scanning them more carefully. "That settles one thing. Bram doesn't know much more about you than, I do. Ships, and dogs, and men and fighting a lot of fighting and " His eyes stopped at one of the pictures and his heart gave a sudden excited thump.

Her meaning was quite as plain as words. She was showing him what Bram had done for her. He had made her this separate room by running a partition across the cabin, and in addition to this he had built a small lean-to outside the main wall entered through a narrow door made of saplings that were still green. He noticed that the partition was also made of fresh timber.

He got no farther than that, for suddenly the cabin was filled with the madness of Bram's laugh. It was more terrible than out on the open Barren, or in the forest, and he felt the shudder of the girl at his side. Her face was close to his shoulder, and looking down he saw that it was white as death, but that even then she was trying to smile at Bram.

For a radius of twenty feet about it the snow was beaten hard by the footprints of beasts, and this arena was stained red with blood and scattered thickly with bits of flesh, broken bones and patches of hide. Philip could see where Bram had come in on the run, and where he had kicked off his snowshoes. After that his great moccasin tracks mingled with those of the wolves.

One entered a tepee or a cabin expecting to find there a white man, and was startled when he discovered the truth. Bram, after nearly a century of this intermixing of bloods, was a throwback a white man, so far as his skin and his hair and his eyes went. In other physical ways he held to the type of his half-strain Eskimo mother, except in size. He was six feet, and a giant in strength.

There was, or HAD been, a woman with Bram and as he thought of the length and beauty and rare texture of the silken strand in his pocket he could not repress a shudder at the possibilities the situation involved. Bram and a woman! And a woman with hair like that! He left his tree after a time.

"You want to impress on me that I'm not to wring Bram Johnson's neck when his back is turned, or at any other time, and you want me to believe that he hasn't done you any harm. And yet you're afraid to the bottom of your soul. I know it. A little while ago your face was as white as chalk, and now now it's the prettiest face I've ever seen. Now, see here, little girl "

He was beginning to give Bram credit for a deeply mysterious strategy. There was some definite reason why he had not made an attack with his wolves that night. There was a reason for the wide detour around the point of timber, and there was a still more inexplicable reason why he had come back with his sledge for the meat, instead of carrying his meat to the sledge.

From the picture Philip had looked at Celie, and the look he had seen in her eyes and face filled his heart with a leaden chill. It was more than hope that had flared up in his breast since he had entered Bram Johnson's cabin. And now that hope went suddenly out, and with its extinguishment he was oppressed by a deep and gloomy foreboding. He went slowly to the window and looked out.

As it was, he knew that the master of the wolves was speeding swiftly to the source of the golden snare. From the moment he had seen the strange transformation it had worked in Bram that belief within him had become positive. And now, as his eyes turned from the inspection of the sledge to Bram and his wolves, he wondered where the trail was taking him.