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Swains in high-heeled shoon, and lace, shepherdesses in rouge and diamonds, the world is weary of all concerning them, save their images in porcelain, effigies how unlike the golden figures, dedicate to Aphrodite, of Bombyca and Battus. Somewhat, Theocritus, thou hast to answer for, thou that first of men brought the shepherd to Court, and made courtiers wild to go a Maying with the shepherds.

Thou didst leave the neat-herds and the kine, and the oaks of Himera, the galingale hummed over by the bees, and the pine that dropped her cones, and Amaryllis in her cave, and Bombyca with her feet of carven ivory. Thou soughtest the City, and strife with other singers, and the learned write still on thy quarrels with Apollonius and Callimachus, and Antagoras of Rhodes.

More pleasantly thus wilt thou labour, and, indeed, of old thou wert a melodist. Battus. Ye Muses Pierian, sing ye with me the slender maiden, for whatsoever ye do but touch, ye goddesses, ye make wholly fair. They all call thee a GIPSY, gracious Bombyca, and LEAN, and SUNBURNT, 'tis only I that call thee HONEY-PALE.

Then images of us twain, all in gold, should be dedicated to Aphrodite, thou with thy flute, and a rose, yea, or an apple, and I in fair attire, and new shoon of Amyclae on both my feet. Ah gracious Bombyca, thy feet are fashioned like carven ivory, thy voice is drowsy sweet, and thy ways, I cannot tell of them! Milan. Verily our clown was a maker of lovely songs, and we knew it not!