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Gluck had been dead twenty years, and Mozart had died in 1791; Beethoven was regarded as a great eccentric genius who would not rightly apply his undoubted talents. The last time Haydn was seen in public at all was on November 27, 1808. He was far too weak to dream of conducting.

That form of art once so much in favor in Germany, passionately admired by Mozart, and practised by Beethoven, Weber, Mendelssohn and Schumann, and all the great classics, had fallen into discredit since the triumph of Wagnerism, which claimed to have realized the definite formula of the theater and music.

When Beethoven made a mistake similar to that of Ries, the Princess playfully hit him several taps on the head with her hand, saying: "If the scholar is punished for making a slight mistake, the master should not escape, when making a graver one," at which all laughed, Beethoven taking the lead.

These, after all, are realities to you as much as ideas were to Plato, or music to Beethoven, or patriotism to Washington. Deny these as the higher certitudes, and you rob the soul of its dignity, and life of its consolations. Bacon's Works, edited by Basil Montagu; Bacon's Life, by Basil Montagu; Bacon's Life, by James Spedding; Bacon's Life, by Thomas Fowler; Dr.

They've existed for 2,000 or 3,000 years, and I mix them up in my mind. The masters are ageless." "What about these composers?" I said, pointing to sheet music by Weber, Rossini, Mozart, Beethoven, Haydn, Meyerbeer, Hérold, Wagner, Auber, Gounod, Victor Massé, and a number of others scattered over a full size piano-organ, which occupied one of the wall panels in this lounge.

Whilst talking, he heard a man's voice behind him, pretentious, coarse, laying down the law in a musical discussion. 'No, no; Beethoven is not Klaviermaszig. His thoughts ate symphonic they need the orchestra.... A string quartet is to a symphony what a delicate water-colour is to an oil-painting.... Oh, I don't care for his playing at all! he has not what shall I call it? Sehnsucht.

Musical instruments, as well as musical materials, were his servants in developing the glowing fancies of his marvelously constructive brain. The crowning glory of his graceful perfection of outline and detail is the noble spirit of serenity which illumines all its beauty. Beethoven further advanced the technique of the symphony, and proved its power to "strike fire from the soul of man."

Whether Beethoven as a player or Beethoven as a composer was meant was left unknown. Gottschalk at his earlier concerts played many of his own compositions, made to order for the display of his virtuosoism, and their brilliant, showy style was very well calculated to arouse the enthusiasm of the general public.

"I have the honour to present myself," Roly-Poly immediately commenced to grimace, putting his hand up to his brim in military fashion, "a right honourable privy frequenter of the local agreeable establishments, Prince Bottlekin, Count Liquorkin, Baron Whoatinkevich-Giddapkovski Mister Beethoven! Mister Chopin!" he greeted the musicians.

On the other hand, that which now grandiloquently assumes the title of 'German culture' is a sort of cosmopolitan aggregate, which bears the same relation to the German spirit as Journalism does to Schiller or Meyerbeer to Beethoven: here the strongest influence at work is the fundamentally and thoroughly un-German civilisation of France, which is aped neither with talent nor with taste, and the imitation of which gives the society, the press, the art, and the literary style of Germany their pharisaical character.