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They emerged from the first room to enter a second, marked "Porcelain;" then a third, "Frescoes of Perino del Vaga," on account of the ceiling upon which the master painted a companion to his vigorous piece at Genoa "Jupiter crushing the Giants" and, lastly, into a fourth, called "The Arazzi," from the wonderful panels with which it was decorated.

They emerged from the first room to enter a second, marked "Porcelain;" then a third, "Frescoes of Perino del Vaga," on account of the ceiling upon which the master painted a companion to his vigorous piece at Genoa- "Jupiter crushing the Giants" and, lastly, into a fourth, called "The Arazzi," from the wonderful panels with which it was decorated.

So they passed on, accompanied by music and the shouts of the people, through the streets of Padua, that were hung with crimson arazzi and tapestry from the looms of Flanders and curtains of cloth of gold. Onward they went to the vineyard outside the town, in which stands Giotto's chapel.

They emerged from the first room to enter a second, marked "Porcelain;" then a third, "Frescoes of Perino del Vaga," on account of the ceiling upon which the master painted a companion to his vigorous piece at Genoa "Jupiter crushing the Giants" and, lastly, into a fourth, called "The Arazzi," from the wonderful panels with which it was decorated.

The Whitebeck gate was but a short distance from the house, and as she turned a corner, the Tower rose suddenly before her. She held her breath; it looked so big, so darkly magnificent. She thought of all the tales that had been told her, the rooms full of silver and gold the arazzi the stucchi the cabinets and sculpture.

This now takes place in S. Peters, in a side-chapel adorned with two arazzi; one representing Leonardo Da Vinci's last supper is placed behind the benches prepared for the priests whose feet are to be washed by the Pope: and the other, which represents Providence seated on the globe between Justice and Charity, above two lions holding banners of the church, is placed over the throne.

The walls are hung with velvet brocade and rich silk, and panelled with four arazzi, enclosed in strips of gold embroidery. The tapestries are Gobelins, by Coypel, director of the Gobelin establishment. The China-room contains some splendid services, chiefly of Sèvres and Dresden.