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To grow with the child is her motto; she knows that in that manner alone can she help build true manhood and womanhood. Ibsen must have had a vision of a free mother, when, with a master stroke, he portrayed Mrs. Alving.

The world is welcome, and generally present when the man or his son go forth to see the elephant and hear the owl. Provincial hypocrisy is not implied. But Ibsen can scarcely exist without an atmosphere of secrecy for his human volcanoes to burst through in the end. Mary Alden as Mrs. Alving shows in her intelligent and sensitive countenance that she has a conception of that character.

At the sight everybody in Hillsboro realizes that Nelse "got it from his father," with a penetrating sense of the tragedy of heredity, quite as stimulating to self-control in the future as Ibsen is able to make us feel in "Ghosts." But we know something better than Ibsen, for Mrs. Pettingrew is no "Mrs. Alving."

Knote and Moréna, Feinhals and Bender were singing at the Hof Theatre. Mottl was conducting. Lili Marberg's Salome was something to be seen again and again. You forgot the play itself. And Bardou-Müller's Mrs. Alving! I did not sleep for two nights. "Well, I left the letter on my table, instead of returning it to the portfolio of my trunk, and it exercised a certain insistence.

He is in love with light, and by his treatment of relative values creates the illusion of sun-flooded landscapes. He does not cry for the "sun," as did Oswald Alving; it comes to him at the beckoning of his brush. His many limitations are but the defects of his good qualities. Sorolla is sympathetic. He adores babies and delights in dancing. His babies are irresistible.

Here is the elder Alving, who disappears before the original play starts. So the twenty great Ibsen situations in the stage production are gone. One new crisis has an Ibsen irony and psychic tension. The boy is taken with the dreaded intermittent pains in the back of his head. He is painting the order that is to make him famous: the King's portrait.

He sent her back to shame and degradation, to her duties to husband and home. Indeed, happiness to him was but the unholy manifestation of a rebellious spirit, and a wife's duty was not to judge, but "to bear with humility the cross which a higher power had for your own good laid upon you." Mrs. Alving bore the cross for twenty-six long years.

Alving, have paid with blood and tears for their spiritual awakening, repudiate marriage as an imposition, a shallow, empty mockery. They know, whether love last but one brief span of time or for eternity, it is the only creative, inspiring, elevating basis for a new race, a new world. In our present pygmy state love is indeed a stranger to most people.

Marcia Van Meter's heart cried out to her to say again as she had said all through his little-boy days, "Dearest, Mother'll get her for you! Mother'll get her for you to-morrow!" But instead her gaze went down to the page she had been reading ... the last scene in "Ghosts," where Oswald Alving says: "Mother, give me the sun!

Alving, have paid with blood and tears for their spiritual awakening, repudiate marriage as an imposition, a shallow, empty mockery. They know, whether love last but one brief span of time or for eternity, it is the only creative, inspiring, elevating basis for a new race, a new world. In our present pygmy state love is indeed a stranger to most people.