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On the day set for a tiger-baiting the aloun-aloun is jammed with spectators, their gorgeous sarongs and head-kains of batik forming a sea of color, while from a pavilion erected for the purpose the Sultan, surrounded by his glittering household and a selection of his favorite wives, views the dangerous sport in safety.

If you will take the trouble to cross the aloun-aloun to the gates of the palace, your attention will be attracted by a row of iron-barred cages built against the kraton wall. Should you be so fortunate as to find yourself in Djokjakarta on the eve of a religious festival or other holiday, each of these cages will be found to contain a full-grown tiger.

In the days before the white men came, public executions on the aloun-aloun provided pleasurable excitement for the inhabitants of Djokjakarta, who attended them in great numbers.

Between Fort Vredenburg and the Sultan's palace stretches the broad aloun-aloun, its sandy, sun-baked expanse broken only by a splendid pair of waringin-trees, clipped to resemble royal payongs or parasols.