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When, therefore, Thierry, relying upon these chronicles and kindred popular legends, unhesitatingly adopts the conjecture of Mair, and describes Robin Hood as the hero of the Saxon serfs, the chief of a troop of Saxon banditti, that continued, even to the reign of Coeur de Lion, a determined resistance against the Norman invaders, and when another able and plausible writer accepts and maintains, with equal confidence, the hypothesis of Bower, and exhibits the renowned outlaw as an adherent of Simon de Montfort, who, after the fatal battle of Evesham, kept up a vigorous guerilla warfare against the officers of the tyrant Henry the Third, and of his successor, we must regard these representations, which were conjectural three or four centuries ago, as conjectures still, and even as arbitrary conjectures, unless one or the other can be proved from the only authorities we have, the ballads, to have a peculiar intrinsic probability.
But it gives us a certain insight into the life of the literary class in his time to see so notable a man wandering from one place to another, professor or regent or private tutor as it happened, never well off, never secure, often in the position of a dependant. When Milton speaks of the "others," poets whom he thus adopts into a kind of equality, who "use"
As Coleridge says, ‘It is the man that makes the motive, and not the motive the man.’ ” According to this Calvinistic divine, the will is not determined by the strongest motive; on the contrary, it is self-active and self-determined. “Mind is a self-acting substance,” says he; “and hence its activity and independence.” In open defiance of all Calvinistic and necessitarian philosophy, he even adopts the self-determining power of the will. “Nor have necessitarians,” says he, “even of the highest order, been sufficiently careful to guard the language employed by them.
So the critic gives it up, mounts a pedestal, waves whole walls, aye galleries, to oblivion, and with the sumptuousness of a Nero, adopts the magnificent background, in the light of which for a moment he shines resplendent, as a gilded setting for his oracles. “Fortunate is he, who at an early age knows what art is.”
We derive Hengist and Horsa from the old Anglo-Saxon authorities; and modern history generally adopts them. Arthur and Mordred have a Celtic origin, and they are as generally rejected as "mythical persons." It appears to us that it is as precipitate wholly to renounce the one as the other, because they are both surrounded with an atmosphere of the fabulous.
The substance of his teaching was that of the very school which his predecessors had attempted to confute, carefully as the fact might be hidden by dexterous rhetoric and manipulation of technical terms. He agrees with Hume's premises, and adopts the method of Condillac. This was perceived by his most remarkable hearer. Carlyle went to Edinburgh at the end of 1809.
Selfish views of Cyrus. Customs of the savages. Cyrus arrives at the Araxes. Difficulties of crossing the river. Embassage from Tomyris. Warning of Tomyris. Cyrus calls a council of war. Opinion of the officers. Dissent of Croesus. Speech of Croesus. His advice to Cyrus. Cyrus adopts the plan of Croesus. His reply to Tomyris. Forebodings of Cyrus. He appoints Cambyses regent. Hystaspes.
It is vain to fix one's affections on it, and therefore it is best to cultivate and practise religion." And so, as a remedy for the evil which he has discovered to exist upon the earth, and to work out a successful escape from it, he sits himself down in dust and ashes, and, mistaking the sign-post, adopts the path which leads him furthest from the point he wishes to arrive at.
I mean by a Whig, not one who subscribes implicitly to the contents of any book, though that book may have been written by Locke; not one who approves the whole conduct of any statesman, though that statesman may have been Fox; not one who adopts the opinions in fashion in any circle, though that circle may be composed of the finest and noblest spirits of the age.
It adopts and initiates him into the tribe of the dead, and makes him one with them, so that he will not return as a spirit and work harm on his slayers. Also it is a notice to the gods of the enemy that theirs is the stronger god, and to beware. The scalp dance is a protection to the tribe of the slayer; to omit one of its observances is to put the tribe in peril of the dead.
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