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In order to know whether any objects, which are joined in impression, be inseparable in idea, we need only consider, if they be different from each other; in which case, it is plain they may be conceived apart. Every thing, that is different is distinguishable: and everything, that is distinguishable, may be separated, according to the maxims above-explained.

These objects have plainly a reference to the pleasures of the senses, and are originally considered as agreeable to the feeling, taste or hearing. How is it possible they coued ever become objects of pride, except by means of that transition above-explained?

In those probabilities of chance and causes above-explained, it is the constancy of the union, which is diminished; and in the probability derived from analogy, it is the resemblance only, which is affected.

Unless, therefore, it be asserted, that every distinct passion is communicated by a distinct original quality, and is not derived from the general principle of sympathy above-explained, it must be allowed, that all of them arise from that principle. To except any one in particular must appear highly unreasonable.

That opinion, therefore, is derived from nothing but the quality of the fancy above-explained, <that it borrows all its ideas from some precedent perception>. We never can conceive any thing but perceptions, and therefore must make every thing resemble them.

But to pass from the passions of love and hatred, and from their mixtures and compositions, as they appear m man, to the same affections, as they display themselves in brutes; we may observe, not only that love and hatred are common to the whole sensitive creation, but likewise that their causes, as above-explained, are of so simple a nature, that they may easily be supposed to operate on mere animals.

But here, perhaps, it may be demanded, how it happens, even upon my hypothesis, that these arguments above-explained produce not a total suspense of judgment, and after what manner the mind ever retains a degree of assurance in any subject?

It is, therefore, on some of these three relations of resemblance, contiguity and causation, that identity depends; and as the very essence of these relations consists in their producing an easy transition of ideas; it follows, that our notions of personal identity, proceed entirely from the smooth and uninterrupted progress of the thought along a train of connected ideas, according to the principles above-explained.

Either for that quality, by which two ideas are connected together in the imagination, and the one naturally introduces the other, after the manner above-explained: or for that particular circumstance, in which, even upon the arbitrary union of two ideas in the fancy, we may think proper to compare them.

The contempt of my neighbours has a certain influence; as has also that of my kindred: But these influences are distinct, and never unite; as when the contempt proceeds from persons who are at once both my neighbours and kindred. This phaenomenon is analogous to the system of pride and humility above-explained, which may seem so extraordinary to vulgar apprehensions.