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Crowe dealt with the supernatural outside of her novels if not also in them; the luckless poetess "L.E.L." was a novelist in Ethel Churchill and other books; Mrs. Trollope, prolific mother of a more prolific son, showed not a little power, if not quite so much taste, in The Vicar of Wrexhill and The Widow Barnaby.

Her best novel, "The Vicar of Wrexhill" a highly-coloured portrait of an Anglican Tartuffe, bitter in its prejudices, but full of talent appeared in 1837; the "Romance of Vienna," an attack on caste distinctions, in 1838.

Trollope trusted entirely in her own skill, and the weapon with which she proposed to combat a strong party is no more nor less than this novel of The Vicar of Wrexhill. A woman's religion is chiefly that of the heart, and not of the head.

If against the inroads of the evangelical party the orthodox church has need of a defender, it hardly would wish, we should think, to be assisted tali auxilio. Mrs. Trollope has not exactly the genius which is best calculated to support the Church of England, or to argue upon so grave a subject as that on which she has thought proper to write. The Vicar of Wrexhill. By Mrs. Trollope. London, 1837.

What! are we so blind, so few of friends, that we cannot each pick out of our social circles Mrs. Gore's Dowager, Mrs. Grey's Flirt, Mrs. Trollope's Widow, and Boz's Mrs. Nickleby? Who can help thinking of his lawyer, when he makes acquaintance with those immortal firms Dodson and Fogg, or Quirk, Snap, and Gammon? Is not Wrexhill libellous, and Dr. Hookwell personal?