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Next let us take a sonnet and a sentence from Michael Angelo: Yes! hope may with my strong desire keep pace, And I be undeluded, unbetrayed; For if of our affections none finds grace In sight of heaven, then, wherefore hath God made The world which we inhabit?

Her unbetrayed regret was for the loss of what she would have called "respectability"; and the giving up, long ago, in the little city which had been their home, of the servant girl had been the first wrench. Until they came to Hampton they had always lived in houses, and her adaptation to a flat had been hard a flat without a parlour.

The passion of tears lay just below the quiet voice all unbetrayed. Somehow she kept them back. There was a pause, and then he added: "I find it more and more so every day." His voice passed through the lamp-lit room like a murmur of the wind in branches.

Her unbetrayed regret was for the loss of what she would have called "respectability"; and the giving up, long ago, in the little city which had been their home, of the servant girl had been the first wrench. Until they came to Hampton they had always lived in houses, and her adaptation to a flat had been hard a flat without a parlour.

What this friendship meant to him, the poet has expressed in the following sonnet addressed to Vittoria, which is here given in Wordsworth's matchless translation: "Yes! hope may with my strong desire keep pace, And I be undeluded, unbetrayed; For if of our affections none find grace in sight of Heaven, then, wherefore had God made The world which we inhabit?

To make us pity his characters when they are vile, or love them when they are noxious, to invent excuses for them in situations where they cannot be excused, to leave us satisfied when their baseness has been unbetrayed, to make us wonder if after all the exception is not greater than the rule, in a single word, to lie about his characters: this is, for the fiction-writer the one unpardonable sin.

I cannot credit the wild suggestion that a man of his character would plot his master's death, or that a man of his intelligence, with a full knowledge of the terms of his master's will, would expose himself to suspicion by so plotting; far less that such a man as he would ignore the perils of such a crime and so desire his freedom and the legacies promised him as to league himself with two criminals, assist them to enter the house and to escape from it, and hope to come off unscathed and unsuspected and forever unbetrayed.

To make us pity his characters when they are vile, or love them when they are noxious, to invent excuses for them in situations where they cannot be excused, to leave us satisfied when their baseness has been unbetrayed, to make us wonder if after all the exception is not greater than the rule in a single word, to lie about his characters this is, for the fiction-writer, the one unpardonable sin.

This their prime object they attained by the avoidance of every word, which a gentleman would not use in dignified conversation, and of every word and phrase, which none but a learned man would use; by the studied position of words and phrases, so that not only each part should be melodious in itself, but contribute to the harmony of the whole, each note referring and conducting to the melody of all the foregoing and following words of the same period or stanza; and lastly with equal labour, the greater because unbetrayed, by the variation and various harmonies of their metrical movement.

It is, indeed, no unusual characteristic of madness to shun, as by a kind of cunning, all mention of the names of those by whom the madness has been caused. It is as if the unfortunates imagined that the madness might be undiscovered if the images connected with it were unbetrayed.