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Any one who is sceptical of the Courtly derivation of the Italian popular song may, besides consulting the admirable book of Prof. d'Ancona, compare with the contents of Tigri's famous "Canti popolari Toscani," the following scraps of Sicilian and early Italian lyrics:
In the whole of Tigri's collection I only remember one mention of a ghost. It is not that the Italians are deficient in superstitions of all kinds. Every one has heard of their belief in the evil eye, for instance.
Comparing together Tigri's collection of Tuscan folk poetry with any similar anthology that might be made of middle-high German and Provençal, and early Italian lyrics, I feel that the adoption of Courtly mediæval poetry by the Italian peasantry of the Renaissance can be compared more significantly than at first seemed with the adoption of a once fashionable garb by country folk.
Signor Tigri's collection, to which I shall confine my attention in this paper, consists of eleven hundred and eighty-five rispetti, with the addition of four hundred and sixty-one stornelli. Rispetto, it may be said in passing, is the name commonly given throughout Italy to short poems, varying from six to twelve lines, constructed on the principle of the octave stanza.
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