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Arms and the Man dealt a blow at the cheap romanticism with which a peace-living public invests the profession of arms; The Devil's Disciple was a shrewd criticism of the preposterous self-sacrifice on which melodrama, which is the most popular non-literary form of play-writing, is commonly based; Mrs.

It would appear to be more demeaning to own a small factory or a shop, according to the standards of both literary and non-literary circles, than it is to accept money from the corruption funds of the Government, or bounties from the exchequers of foreign Embassies.

The philosopher said the actual interior form of non-literary literature was an effect of the thin spread of our literary culture, and outwardly was the effect of the thick spread of our material prosperity. The dollar-and-a-half novel of to-day was the dime novel of yesterday in an avatar which left its essence unchanged.

Of course it is true that literary men, even dramatic authors, may write and always have written dramas not suited to actors, that could not well be put upon the stage. I am not competent to criticise the stage or its tendency. But I am interested in noticing the increasing non-literary character of modern plays. It may be explained as a necessary and justifiable evolution of the stage.

These facts illustrate anew that standing temptation of the critic of American literature to palliate literary shortcomings by the plea that we possess certain admirable non-literary qualities. The dominant idealism of the nation has levied, or seemed to levy, a certain tax upon our writing.

"Mixed" is perhaps not a strictly accurate title, for the volume consists of two halves, the contents of each of which are homogeneous enough, but which have next to nothing to do with each other. But even in the non-literary essays we are out of "The Wilderness" in its worst sense.

But he was the earliest of such voices, the clearest, most original, most potent; and a great deal of what followed was directly due to him. The non-literary events of his life during this period were sufficiently varied if not very momentous. We have mentioned the domiciling in Chester Square, which took place in February 1858, perhaps on the strength of the additional income from Oxford.

Like metal which is removed from the furnace after casting and placed under the hammer, I would offer my works to be put to the test, to be beaten by all hammers. If anything were left, I should treasure it then lovingly; if nothing were left, we should still pick up some fragments of life. I always listen to the opinions of the non-literary concerning my books with the greatest interest.

Of course it is true that literary men, even dramatic authors, may write and always have written dramas not suited to actors, that could not well be put upon the stage. I am not competent to criticise the stage or its tendency. But I am interested in noticing the increasing non-literary character of modern plays. It may be explained as a necessary and justifiable evolution of the stage.

The greatest theological interest of the century belongs to what is diversely called the Oxford and the Tractarian Movement; while, even if this statement be challenged on non-literary grounds, it will scarcely be so by any one on grounds literary. For the present purpose, of course, nothing like a full account of the Movement can be attempted.