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Keats has glorified one of these stories by his touch; and it was a true instinct that guided him to make Lamia's disappearance follow, not on Apollonius' denunciation of her real character, but on the echo of the words "A serpent!" by her astounded husband, Lycius. What matter that the philosopher should make a charge against her?
But as the shout became louder and nearer, and those who from time to time came up began racing at the top of their speed towards the shouters and the shouting continually recommenced with yet greater volume as the numbers increased, Xenophon settled in his mind that something extraordinary must have happened, and mounted his horse and taking with him Lycius and the cavalry, galloped on.
And in the city of Argos, the priestess of Apollo Lycius rushed out of the temple, crying she saw the city full of carcasses and slaughter, and an eagle coming out to fight, and presently vanishing again.
Lycius meets her in the wood, is smitten with love for her, and goes with her to her enchanted palace, where the wedding is celebrated with great splendour. But suddenly Apollonius appears; he reveals the magic. Lamia again assumes the form of a serpent, the enchanted palace vanishes, and Lycius is found lifeless."
On a fly-leaf of the score MacDowell has written this glossary of the story as told by Keats: "Lamia, an enchantress in the form of a serpent, loves Lycius, a young Corinthian. In order to win him she prays to Hermes, who answers her appeal by transforming her into a lovely maiden.
Mounting his horse, therefore, and taking with him Lycius and the cavalry, he hastened forward to give aid, when presently they heard the soldiers shouting, "The sea, the sea!" and cheering on one another.
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