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Of the Lippo Lippis, the Lorenzo di Credis, the Ghirlandaios, the Peruginos, and the other great masters of the fifteenth century, of whom are many masterpieces in this collection, there shall, for the present, not a word be said. There is also a portrait of Savonarola, by Fra Bartolommeo. The face is neither impressive nor attractive.
'Hae latebrae dulces, etiam, si credis, amoenae. But, alas! you are going to leave us; you do not care for the friendship accorded you here. Has Vienna such superior attractions for you? But I remember, you will doubtless be restored there to a pleasant home, a charming wife, children perhaps who "
John Morley as secretly sharing this repugnance to Eliza Cook in a public rite. "Scio, rex Agrippa, quia credis. He is keeping company with his Festus Chamberlain and his Drusilla Collings, and cannot openly avow the truth; but in his heart he consents to it." For the beauty, the poetry, the winningness of Catholic worship and Catholic life Arnold had the keenest admiration.
Does it touch thee at all, oh gentle spirit and serene, that we, who never knew thee, love thee yet, and revere thee as a saint of heathendom? Have the dead any delight in the religion they inspire? Id cinerem aut Manes credis curare sepultos?
Crossing the large Tuscan room again, we come to a little narrow room filled with what are now called cabinet pictures: far too many to study properly, but comprising a benignant old man's head, No. 1167, which is sometimes called a Filippino Lippi and sometimes a Masaccio, a fragment of a fresco; a boy from the serene perfect hand of Perugino, No. 1217; two little panels by Fra Bartolommeo No. 1161 painted for a tabernacle to hold a Donatello relief and representing the Circumcision and Nativity, in colours, and at the back a pretty Annunciation in monochrome; No. 1235, on the opposite wall, a very sweet Mother and Child by the same artist; a Perseus liberating Andromeda, by Piero di Cosimo, No. 1312; two or three Lorenzo di Credis; two or three Alloris; a portrait of Galeazzo Maria Sforza, by Antonio Pollaiuolo; and three charming little scenes from the lives of S. John the Baptist and the Virgin, by Fra Angelico, which belong properly to the predella of an altar-piece that we saw in the first room we entered No. 1290, "The Coronation of the Virgin". No. 1162 has the gayest green dress in it imaginable.
Who hinders my groom from calling himself Pompey the Great? But after all, what virtue, what authority, or what secret springs are there that fix upon my deceased groom, or the other Pompey, who had his head cut off in Egypt, this glorious renown, and these so much honoured flourishes of the pen, so as to be of any advantage to them? "Id cinerem et manes credis curare sepultos?"
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