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Now, in the first place, this censure attaches not to the poetic but to the histrionic art; for gesticulation may be equally overdone in epic recitation, as by Sosi-stratus, or in lyrical competition, as by Mnasitheus the Opuntian. Next, all action is not to be condemned any more than all dancing but only that of bad performers.
But when this also went by without observing them, immediately Mnasitheus and Ecdelus got upon the wall, and, possessing themselves of the approaches inside and out, sent away Technon to Aratus, desiring him to make all the haste he could. Now there was no great distance from the garden to the wall and to the tower, in which latter a large hound was kept.
Upon which most of the company being out of heart and desiring to retreat, Aratus encouraged them to go on, promising to retire in case the dogs were too troublesome; and at the same time sending forward those that carried the ladders, conducted by Ecdelus and Mnasitheus, he followed them himself leisurely, the dogs already barking very loud and following, the steps of Ecdelus and his companions.
In the first place, one may urge that the censure does not touch the art of the dramatic poet, but only that of his interpreter; for it is quite possible to overdo the gesturing even in an epic recital, as did Sosistratus, and in a singing contest, as did Mnasitheus of Opus.
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