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Henry, the ignoble forger, was raised to the position of martyr, and Cavaignac and Zurlinden and Chanoine in turn strove to impede the course of justice. 'Hope deferred maketh the heart sick, and thus M. Zola, finding so many difficulties in the way of his return, abandoned for a time all work and fell into brooding melancholy. Important events were now taking place in Paris.

Zola had enchanted me with decoration and inebriated me with theory; Flaubert had astonished with the wonderful delicacy and subtlety of his workmanship; Goncourt's brilliant adjectival effects had captivated me for a time, but all these impulses were crumbling into dust, these aspirations were etiolated, sickly as faces grown old in gaslight.

There were hours with Hugo in Notre Dame in one of its most shadowy corners; with Zola on top of a 'bus at night as it lumbered up into the Belleville slums; with Balzac in an old garden I found; with Guy de Maupassant everywhere, in the gay hum and lights of those endless cafés, from bridges at sunset over the Seine, or far up the long rich dusk of the Champs Élysées, lights twinkling out, and his women laughing, chattering by.

On the other it will lower the general standard by doing away with that better class of resident gentry and capitalized landowners, who in their way are guides, teachers and helps to the peasantry. The absence of this better class of resident gentry is one of the misfortunes of French agricultural life and the justification of M. Zola; their presence is one of the blessings of England.

How indignantly he had then denied having ever acknowledged the authorship of the bordereau, and how complacently he now admitted it! As for the circumstances under which he asserted the document to have been written, M. Zola could make nothing of them. 'So far, the explanations explain nothing, said he; 'take them whichever way you will, there is no sense, no plausibility even, in them.

He even misinterpreted my silences. "Certainly not," I replied. "It is no concern of mine. You might come here as Emil Zola or Ralph Waldo Emerson and it would make no difference to me." He looked at me dubiously, even suspiciously. "That's a good chap," said he, and was gone, leaving me to reflect on the ways of genius.

Zola, pitching overboard many friends, wrote his famous eulogy of Manet in the Evenement, and the row he raised was so fierce that he was forced to resign as art critic from that journal. The fight then began in earnest. The story is a thrice-told one. It may be read in Théodore Duret's study of Manet and, as regards Cézanne, in the same critic's volume on Impressionism.

Three years ago she had the thrice-blessed idea of opening a sort of pension for the entertainment and instruction of the blundering barbarians who come to Paris in the hope of picking up a few stray particles of the language of Voltaire or of Zola. The idea lui a porte bonheur; the shop does a very good business.

Nothing in the way of a terrace house would suit; for M. Zola was not yet a phalansterian. And in like way he objected to the semi-detached villas. He wished to secure a somewhat retired place, girt with foliage and thus screened from the observation of neighbours and passers-by. The low garden railings and fences usually met with were by no means to his taste.

It is a rather curious coincidence that, at the time when M. Zola was thus portraying the life of Provence, his great contemporary, bosom friend, and rival for literary fame, the late Alphonse Daudet, should have been producing, under the title of "The Provencal Don Quixote," that unrivalled presentment of the foibles of the French Southerner, with everyone nowadays knows as "Tartarin of Tarascon."