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The determining factor in his career was the French Revolution that great movement which besides re-making France and Europe, made our very modes of thinking anew. While an undergraduate in Cambridge Wordsworth made several vacation visits to France.

In 1846, she left her native land for ever, as the melancholy event proved to join Mr and Mrs Spring in a European tour. Her letters home contain much pleasant gossip about some of the Old-World notabilities. Thus she records her interviews with Wordsworth in his Rydal retreat, with Dr Chalmers, Dr Andrew Combe, Mr De Quincey, the Howitts, &c.

That which close students of the genius of Wordsworth will always turn to seek in Peter Bell is the sincere sentiment of nature and the studied simplicity of language which inspire its best stanzas. The narrative is clumsy in the extreme, and the attempts at wit and sarcasm ludicrous. Yet Peter Bell contains exquisite things.

The Task is chiefly remarkable because it turns from the artificial and conventional subjects which had been popular, and describes simple beauties of nature and the joys of country life. Cowper says: "God made the country, and man made the town." To a public acquainted with the nature poetry of Burns, Wordsworth, and Tennyson, Cowper's poem does not seem a wonderful production.

Still, no doubt these things are pleasant for those who like them. What has become of Templar?" "He fell into a ditch," Wordsworth said; "and he just was in a state. He had to go up to the matron for a change of clothes. He will be here in a minute, I expect." "Quite a catalogue of adventures.

Yet in spite of all its faults, there is enough that is purely beautiful in his work to give Byron rank as a poet. He has been placed on a level with Wordsworth. One cultured writer whose judgment on literature we listen to with respect has said: "Wordsworth and Byron stand out by themselves.

For Lamb lived in a time of universal rebirth in English literature. Wordsworth and Coleridge were re-creating poetry; Scott was re-creating the novel; Lamb was re-creating the human document; and Hazlitt, Coleridge, Leigh Hunt, and others were re-creating criticism.

I regret that Professor Lowes's brilliant discussion of "Poetic Diction" in his Convention and Revolt did not appear until after this chapter was written. There are stimulating remarks on Diction in Fairchild and Eastman, in Raleigh's Wordsworth, in L. A. Sherman's Analytics of Literature, chapter 6, in Raymond's Poetry as a Representative Art, and in Hudson Maxim's Science of Poetry.

The poet, I hear, is visited with a troublesome affection of the tongue, which has put a period, or some lesser stop, to the life-long discourse that has hitherto been flowing from his lips. He will not survive it above a month, unless his accumulation of ideas be sluiced off in some other way. Wordsworth died only a week or two ago.

Neither of these tours was productive. In 1831 he paid a visit with his daughter to Sir Walter Scott at Abbotsford, before his departure to seek health in Italy. Scott received them cordially, and had strength to take them to the Yarrow. "Of that excursion," says Wordsworth, "the verses Yarrow Revisited are a memorial.