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Well, he was not responsible for her, he had paid for the privilege of immunity; he had but listened to her story, volunteering nothing. John Woolfolk wished, however, that he had said some final, useful word to her before going. He was certain that, looking for the ketch and unexpectedly finding the bay empty, she would suffer a pang, if only of loneliness.

Nicholas patently was making progress toward the consummation of his one fixed idea; but Woolfolk decided that at present he could best afford to ignore him. He entered the lighted room, and found Millie seated and gazing in dull wonderment at the figure on the floor. "I must tell you about my father," she said conversationally.

The doorway, dimly lighted by an invisible lamp from within, was now near by; and John Woolfolk saw a shape cross it, so swiftly furtive that it was gone before he realized that a man had vanished into the hall. There was a second stir on the small covered portico, and the slender, white-clad figure of a woman moved uncertainly forward.

This sent him reeling against the wall, where he felt the muscles of an unwieldly arm tighten about his neck. John Woolfolk threw himself back, when a wrist heavily struck his shoulder and a jarring blow fell upon the wall.

She was swimming with deliberate ease, with a long, single overarm stroke; and it was evident that she had not seen the ketch. Woolfolk stood, his gaze level with the cabin top, watching her assured progress. She turned again, moving out from the shore, then suddenly stopped. Now, he realized, she saw him.

There was a sudden, impressive jerk at his line, the rod instantly assumed the shape of a bent bow, and, as he rose, the reel spindle was lost in a grey blur and the line streaked out through the dipping tip. His companion hung breathless at his shoulder. "He'll take all your line," she lamented as the fish continued his straight, outward course, while Woolfolk kept an even pressure on the rod.

"Do you think a man as brave as that should lie on the floor?" she demanded. "A flag," she added obscurely, considering an appropriate covering for the still form. "No, not on the floor," Woolfolk instantly responded. He bent and, lifting the body of Lichfield Stope, carried it into the hall, where, relieved at the opportunity to dispose of his burden, he left it in an obscure corner.

In the cabin, on the shelf above the berths built against the sides of the ketch, he found an old blue flannel coat, with crossed squash rackets and a monogram embroidered in yellow on the breast pocket. Slipping it on, he dropped over the stern of the tender. Halvard came instantly aft, but Woolfolk declined the mutely offered service.

A dim and moldering fragment of cotton stuff was hanging from a forgotten bolt; above, some tinware was eaten with rust; a scale had crushed in the floor and lay broken on the earth beneath; and a ledger, its leaves a single, sodden film of grey, was still open on a counter. A precarious stair mounted to the flooring above, and Millie Stope made her way upward, followed by Woolfolk.

A steady twitching commenced in a muscle at the flange of his nose. Woolfolk was aware of an increasing tension in the other, that gained a peculiar oppressiveness from the lack of any corresponding outward expression. His heavy, blunt hand fumbled under the maculate apron; his chest heaved with a sudden, tempestuous breathing.