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The duke of Weimar passed through Frankfort both before and after his marriage, which took place on October 3. He invited Goethe to stay at Weimar. It was not for his happiness or for Lili's that they should have married. She afterwards thanked him deeply for the firmness with which he overcame a temptation to which she would have yielded.
The occasion was, outwardly regarded, fortuitous: both men were leaving a lecture on natural science at the University of Jena, Schiller having been present as Professor of History in the University, and Goethe as its patron and as a Weimar Minister of State. They met at the door of the lecture hall and went out into the street together.
There it lay a mute score. As he turned its pages, the notes looked out at him appealingly for a hearing. It was like a homesick child asking for its own. What did Wagner do? He wrote a few lines to Liszt. The answer was not long in coming. Liszt was already making the necessary arrangements to accede to Wagner's request and produce "Lohengrin" in Weimar, where he was musical director.
Blackguardism, obstinacy, and religiously nursed stupidity are here protected with iron walls; only a blackguard and a Jew can succeed here. Upon the whole, you were right in retiring to Weimar; as much solitude as possible, that alone can save us. The Hartels sent me the bill of exchange yesterday; many thanks. Cannot B. do the pianoforte arrangement?
The capture of Breysach opened a boundless field to the ambition of the Duke of Weimar, and the romance of his hopes was fast approaching to reality. Far from intending to surrender his conquests to France, he destined Breysach for himself, and revealed this intention, by exacting allegiance from the vanquished, in his own name, and not in that of any other power.
As soon as the plan of operations had been concerted at Halle, between the King of Sweden and the Elector of Saxony; as soon as the alliance had been concluded with the neighbouring princes of Weimar and Anhalt, and preparations made for the recovery of the bishopric of Magdeburg, the king began his march into the empire. He had here no despicable foe to contend with.
He sought refuge with Liszt in Weimar, but, learning that the Saxon authorities were seeking to apprehend him, decided to continue his flight to Switzerland. He was without means and, at the moment, Liszt, too, was out of funds. In this extremity, Liszt despatched a few lines to the Princess. "Can you send me by bearer sixty thalers?
It would be difficult to be Greek under a German sky, even when it was not actually raining, but March held that with Goethe's help it might have been done at Weimar, and his wife and he proved themselves such enthusiasts for the Natur-Theater that the walnut-faced old gardener who showed it put together a sheaf of the flowers that grew nearest it and gave them to Mrs. March for a souvenir.
Caroline Wiseneder, of Brunswick, deserves notice for her aid to the blind, for whom she started a successful music school. Her two operas and several melodramas were published after her death. Auguste Goetze, born at Weimar in 1840, grew up to success as a singer of German Lieder, and founded an opera school at Dresden.
In Weimar she played for Goethe, the great poet himself getting a cushion for her and placing it on the piano stool in order that she might sit high enough; and not only praising her playing, but also presenting her with his likeness in a medallion. The poet Grillparzer, after hearing her play in Vienna Beethoven's F-minor Sonata, wrote a delightful poem.
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