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The sorrows of the poor, the luxury of the rich, the peril of the Empire, the shame and dread of each day's news, we too know them; like Virgil we too deplore them. We, in our reveries, long for some such careless paradise, but we place it not in Sparta but in the Islands of the Southern Seas.
The Critias is also connected with the Republic. This mythical conflict is prophetic or symbolical of the struggle of Athens and Persia, perhaps in some degree also of the wars of the Greeks and Carthaginians, in the same way that the Persian is prefigured by the Trojan war to the mind of Herodotus, or as the narrative of the first part of the Aeneid is intended by Virgil to foreshadow the wars of Carthage and Rome.
My excellent friend, Mr. Langton, told me, he was once present at a dispute between Dr. Johnson and Mr. Burke, on the comparative merits of Homer and Virgil, which was carried on with extraordinary abilities on both sides. Dr. Johnson maintained the superiority of Homer. BOSWELL. Johnson told Windham that he had never read through the Odyssey in the original. Windham's Diary, p. 17.
It is needful to know these stories which every one used to believe to be really history; so we will tell them first, beginning, however, with a story told by the poet Virgil. You remember in the Greek history the burning of Troy, and how Priam and all his family were cut off.
My boy will go to college, of course; and he will translate Homer and Virgil, and Horace, I think very highly of Horace; but the literal meaning is a different thing from understanding the poetry. Then my daughters will learn French and German, and I shall expect them to read Schiller and Goethe, Moliere and Racine, as well as Shakespeare and Milton.
I have often thought that, by the particular description of Cerberus, the porter of hell, in the 6th Aeneid, Virgil might possibly intend to satirize the porters of the great men in his time; the picture, at least, resembles those who have the honour to attend at the doors of our great men.
The list is a long one, and includes some of the great names of antiquity. The imagination of the Middle Ages made bondsmen of the infernal powers out of such men as Zoroaster, Democritus, Empedocles, Apollonius, Virgil, Albertus Magnus, Merlin, and Paracelsus.
In the brilliant crowd which surrounded the French Augustus appeared the French Virgil, the graceful, the tender, the melodious Racine.
You had felt that often before, and all that could, at the most, help you now was that, more than ever yet, the present appeared to become again really classic, to sigh with strange elusive sounds of Virgil and Theocritus.
Among the lesser poems ascribed to Virgil there is one, the Moretum, which gives a charming picture of the food-supply of the small cultivator in the country.
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