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In many rich mirrors, some of home design, some from Venice or Amsterdam, he saw his face repeated and repeated, as it were an army of spies; his own eyes met and detected him; and the sound of his own steps, lightly as they fell, vexed the surrounding quiet. And still, as he continued to fill his pockets, his mind accused him with a sickening iteration, of the thousand faults of his design.

I am cursed with memory." "Or the lack of it," answered Mr. Riddle, pulling out a silver snuff-box from his pocket and staring at it ruefully. "Damme, the snuff I fetched from Paris is gone, all but a pinch. Here is a real tragedy." "It was the same in Rome," the lady continued, unheeding, "when we met the Izards, and at Venice that nasty Colonel Tarleton saw us at the opera.

I looked at the gondolier, and I recognized him as being in the service of the French ambassador. "It is he," I said to myself, and without appearing to observe him I watched him enter the convent. I had no longer any doubt as to his identity, and I returned to Venice delighted at having made the discovery, but I made up my mind not to say anything to my mistress.

At length, on the eleventh afternoon, they saw the lovely city of Venice, sparkling like a cluster of jewels, set upon its many islands amid the blue waters of the Adriatic. For a long while they could make no one understand. Indeed, the whole place seemed to be asleep, perhaps because of the dreadful heat, which lay over it like a cloud and seemed to burn them to the very bones.

"I believe Shakespeare makes somebody say, 'I could sooner show twenty what were good to be done, than be one of the twenty to follow my own showing.* Nothing like division of labor. My forte lies in talking, and yours, cousin, lies in doing." * The Merchant of Venice, Act 1, scene 2, lines 17-18.

The Signorino and Antonio, though want of wind obliged them to row the whole way from Venice, had reached Chioggia an hour before, and stood waiting to receive us on the quay. It is a quaint town this Chioggia, which has always lived a separate life from that of Venice.

It would be impossible here to consider the history of mosaic painting, and its development from the decadent Graeco-Roman work of Santa Pudenziana in Rome, to the magnificent and living decorations of St. Mark's in Venice, or of the cathedral of Monreale.

Muller's visit to Venice, like most of his journeyings, had been one of business. This time to capture and bring home a notorious and long sought embezzler. He did not volunteer any of this information, however, but merely asked in a politely interested manner whether the landlord himself had been to Venice. "Yes, indeed," replied the latter proudly. "I was head waiter at Baner's for two years."

At my return to Venice I met little comfort, as every body told me it was my own fault, for I might put on men's clothes and see it whenever I pleased, as nobody then would stop, though perhaps all of them would know me.

With the cordial alliance of Venice, and by playing off the mutual jealousies of the petty Italian princes, like Florence, Mantua, Montserrat, and others, against each other and against the Pope, it did not seem doubtful to Sully that the result would be easily accomplished.