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I exclaimed as I followed my host through a long corridor, also hung with leather, wainscoted with carvings, and furnished with big wedding coffers, and chairs that looked as if they came out of some Vandyck portrait.

And what beautiful hands she had! Do you remember the picture, Mary? It was by Vandyck." I remembered it quite well. That afternoon the others could not amuse themselves, and wanted me to tell them a story. They do not like old stories too often, and it is rather difficult to invent new ones. Sometimes we do it by turns.

Lee, grandparents of General William Raymond Lee, all exist and attest the continued growth of his powers. These date between 1763 and 1769. During this time he had access to and was a visitor in houses where were portraits by Saribest, Blackburn, Liopoldt, and even by Vandyck and Sir Godfrey Kneller. Mr.

A great artist invents a type, and Life tries to copy it, to reproduce it in a popular form, like an enterprising publisher. Neither Holbein nor Vandyck found in England what they have given us. They brought their types with them, and Life with her keen imitative faculty set herself to supply the master with models.

He was still quite young when he entered the studio of Rubens, and was soon so much trusted by the master as to be allowed to make drawings from his works for the use of the engravers. This sort of drawing must be done with great care and exactness, and Vandyck must have had much skill to be fitted for it.

Was a favorite artist of King Charles I. It is said that on one occasion the King bought a quantity of ultramarine, for which he paid £500, and divided it between Vandyck and Mistress Carlisle. Her copies after the Italian masters were of great excellence. She painted in oils as well as in water-colors. One of her pictures represents her as teaching a lady to use the brush.

While there, he lodged with his friend and countryman, George Geldorp the painter, and expected to be presented to the king; but his hopes not being realized, he visited Paris; and meeting no better success there, be returned to his own country, with the intention of remaining there during the rest of his life. Charles, however, having seen a portrait by Vandyck, of the musician, Fic.

While talking to this gentleman on the proposed enlargement of the castle, Somerset raised his eyes and hand towards the walls, the better to point out his meaning; in so doing he saw a face in the square of darkness formed by one of the open windows, the effect being that of a highlight portrait by Vandyck or Rembrandt.

His fine eyes, no longer surrounded by that dark line which nights of dissipation pencil too infallibly, seemed larger, more liquid than ever. His face, a little elongated, had gained in calm dignity what it had lost in feverish excitement. His hand, always wonderfully beautiful and strong, was set off by a ruffle of lace, like certain hands by Titian and Vandyck. He was less stiff than formerly.

Vandyck was frequently her guest during his residence at Genoa, in 1621; and he used to say of her that he had learned more of the practical principles of the art from a blind woman, than by studying all the works of the best Italian masters. This celebrated Italian paintress was born at Chiozza, near Venice, in 1675.