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As we returned home over the Arno, crossing the Ponte di Santa Trinita, we were struck by the beautiful scene of the broad, calm river, with the palaces along its shores repeated in it, on either side, and the neighboring bridges, too, just as perfect in the tide beneath as in the air above, a city of dream and shadow so close to the actual one.
The most distinguishing feature of the Piazza di Spagna is the wide staircase which leads up from one side of it to the church of the Trinita dei Monti, with its twin towers, through whose belfry arches the blue sky appears.
From this corner station she could see, not only the procession pouring in solemn slowness between the lines of houses on the Ponto Vecchio, but also the river and the Lung' Arno on towards the bridge of the Santa Trinita. In sadness and in stillness came the slow procession.
There were a great many in the church to hear the music which is considered very fine; some of it I was well pleased with, but it is by no means so impressive as the singing of the nuns at the Trinita di Monti, to which church we repaired at vespers. "In St.
One bridge was passed the bridge of Santa Trinita. Should he risk landing now rather than trust to his strength? No. He heard, or fancied he heard, yells and cries pursuing him. Terror pressed him most from the side of his fellow-men: he was less afraid of indefinite chances, and he swam on, panting and straining. He was not so fresh as he would have been if he had passed the night in sleep.
Besides the hospitals for the sick, there is also a hospital for poor convalescents at Sta Trinita dei Pellegrini, a lunatic asylum containing about four hundred patients, one for incurables at San Giacomo, a lying-in hospital at San Rocco, and a hospital of education and industry at San Michele.
Wherefore the Chevalier Buondelmonte commissioned him to paint in chiaroscuro a house that he had built opposite to S. Trinita, at the beginning of the Borgo S. Apostolo; wherein Jacone painted stories from the life of Alexander the Great, very beautiful in certain parts, and executed with so much grace and design, that many believe that the designs for the whole work were made for him by Andrea del Sarto.
In S. Trinita, in the Chapel of Neri Compagni, he painted in fresco the life of S. Giovanni Gualberto; and, in the principal chapel of S. Lucia in the Via de' Bardi, some scenes in fresco of the life of that Saint, for Niccolò da Uzzano, who was portrayed by him there from the life, together with some other citizens.
For the church of Santa Trinita, Florence, Angelico executed a "Deposition from the Cross," and for the church of the Angeli, a "Last Judgment," both now in the Florentine academy; for S. Maria Novella, a "Coronation of the Virgin," with a predella in three sections, now in the Uffizi, this again is one of his masterpieces.
Several of these churches, however, stand without fronts, for want of money to complete the plans. It may also appear superfluous to mention my having viewed the famous gallery of antiquities, the chapel of St. Lorenzo, the palace of Pitti, the cathedral, the baptisterium, Ponte de Trinita, with its statues, the triumphal arch, and every thing which is commonly visited in this metropolis.
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