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"Had to get a horse and ride to Manzanita to interview old Vanney and a couple of other big guys from the East. My first story's on the wire," explained the newcomer offhand. "I want some local-color stuff for my second day follow-up." "It must be hard to do that," said Banneker interestedly, "when you haven't seen any of it yourself." "Patchwork and imagination," returned the other wearily.

But t'day I'm tellin' ye another one which, in its way, is equally grand. But this time the story's about a man a wonderful man, gallant and brave, that ye'll love from this hour on." "Please, what does he look like?" asked Johnnie, wanting a definite picture in his mind. "A proper question! And, see! The old gentleman's asleep again! Good! Wheel him a mite away, would ye mind, Miss Narcissa?

Afterwards, in his days of sorrow in London, when he compared the colour of his life to that of a snow-cloud, it seemed to him as if one minute of these months at Rome would yield him gold enough to make the brightness of a year; he longed for the smell of the wet clay in Story's studio, where the songs of the birds, and the bleat of a goat coming through the little door to the left, were heard.

"Oh Audrey, he's going to make up a' ugly story about me," said Racey, beseechingly. "No, no, I'm not," said Tom, "I was only teasing. My story's very nice, but it's very short. Once there was a bird that lived in a garden Pierson told me this story but when it came winter the bird went away to some place where it was always summer.

Cleopatra's watchful melancholy partook also of classic momentariness, and I hoped she would spring to her feet. I liked very much to go to Mr. Story's studio, and I thought that for so slight a figure he was remarkably fearless.

The judgment may be eccentric, but for myself the character parts in Smollett's dramas seem for variety and vividness often superior to those of Fielding. The humor at its best is very telling. The portraits, or caricatures, of living folk added to the story's immediate vogue, but injure it as a permanent contribution to fiction. Their inhumanity. I am succored by a reputed witch. Her story.

Between the hours of seven and nine in the morning, they may appear in safety at Saint James's coffee-house, or at White's, if they do not keep their beds, which is more proper for men in their condition. From nine to eleven I allow them to walk from Story's to Rosamond's pond in the Park or in any other public walks which are not frequented by the living at that time.

I got it all figgered out. It's lucky fer me the nabobs is rich, or they couldn't stan' the strain. Now, mar, ef ye want to see yer son a nabob hisself, some day, jes' think up a good name fer a detective." "Sherholmes Locke," she said after some reflection. "No; this 'ere story's got ter be original. I thought o' callin' him Suspectin' Algernon. Detectives is allus suspectin' something."

Story's "Roba di Roma" knows what a terrible power it is which the owner of the evil eye exercises. It can blight and destroy whatever it falls upon. No person's life or limb is safe if the jettatura, the withering glance of the deadly organ, falls upon him.

A master of literature is not necessarily an inspired critic of art, and it is to be suspected that Hawthorne permitted some of the fire of his imagination to play about the cold and uninspired marble. "Cleopatra" marked Story's culmination.