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He will seldom bear to be confronted with those writers whom he is found either by accident or design to resemble. His picture of the callow young in a bird's-nest is, I think, with some alteration, copied from Statius. His Sappho, a lyrical drama, is one of the few attempts that have been made to bring amongst us that tuneful trifle, the modern Opera of the Italians.
In this way Ovid is a great imitator of Virgil; so to a less extent are Propertius, Manilius, and Lucan. Statius and Silius base their whole poetical art on him, and therefore particular instances of imitation throw no additional light on their style. We shall here notice a few of the points in which the Augustan poets copied him: In Facts.
I am retaining the latter, but do not think I shall use it. However, nobody knows about it. I don't like running away; I am itching to fight. There is great warmth of feeling for me. But I don't say anything positive: you will please not to mention it. I am, in fact, very anxious about the manumission of Statius and some other things, but I have become hardened by this time.
This exponent or symbol held forth by metrical language must in different eras of literature have excited very different expectations: for example, in the age of Catullus, Terence, and Lucretius, and that of Statius or Claudian; and in our own country, in the age of Shakespeare and Beaumont and Fletcher, and that of Donne and Cowley, or Dryden, or Pope.
True, some humanist of the type of Pietro Bembo, not less amorous than learned and fastidious, must have found for Titian and Giorgione all these fine stories from Virgil, Catullus, Statius, and the lesser luminaries of antique poetry, which luckily for the world they have interpreted in their own fashion.
Its smooth versification, copious diction, and sustained elegance made it a sort of canon of poetical technique. But, itself, it rises beyond the merely mechanical level. Without any quality that can quite be called genius, Statius had real poetical feeling.
The first book is addressed to his friend ARRUNTIUS STELLA, who was, if we may believe Statius and Martial, himself no mean poet, and in his little Columba, an ode addressed to his mistress's dove, rivalled, if he did not surpass, the famous "sparrow-poem" of Catullus. He wrote also several other love poems, and perhaps essayed a heroic flight in celebrating the Sarmatian victories of Domitian.
That Virgil wrote a poem with this title is alluded to by Martial and Statius as matter of common undisputed knowledge; nor is there any certain argument against the Virgilian authorship of the extant poem, but various delicate metrical considerations incline recent critics to the belief that it is from the hand of an almost contemporary imitator who had caught the Virgilian manner with great accuracy.
Claudius Marcellus again defeats the army of Hannibal at Nola, and the hopes of the Romans are revived as to the results of the war. After the battle of Cannae, Hannibal, having captured and plundered the Roman camp, had immediately removed from Apulia into Samnium; invited into the territory of the Hirpini by Statius, who promised that he would surrender Compsa.
The legend of the conversion of Statius seems to be of purely mediaeval origin. Flavius Clemens, the cousin of the Emperor Domitian, executed on the ground of "atheism" during the year of his consulship, is claimed, though without certainty, as the earliest Christian martyr of high rank.
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