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Cap'n Smollett's a fine seaman, as I'll own up to any day, but stiff on discipline. 'Dooty is dooty, says he, and right he is. Just you keep clear of the cap'n.

This is the case even without, but much more with, the taking into account of Smollett's usual irregular and almost irrelevant bonuses, such as the dinner after the fashion of the ancients and the rest. No: Peregrine Pickle can never be thrown to the wolves, even to the most respectable and moral of these animals in the most imposing as well as ravening of attitudes.

The race-portrait was in Smollett's day at the very height of its disreputable reign. Secondly, we must remember how very profoundly French character has been modified since 1763, and more especially in consequence of the cataclysms of 1789 and 1870.

He was a tall, lean man, with straight, lank, sandy hair, cut evenly all around his narrow forehead, and hanging down so as to remind one of Smollett's apt similitude of "a pound of candles." "What news do you bring us of the savages?" inquired Mr. Ward.

'He was obliged to trust his life to the fidelity of above fifty individuals, and many of these were in the lowest paths of fortune. They knew that a price of £30,000 was set upon his head, and that by betraying him they should enjoy wealth and affluence. Smollett's Hist. of England, iii. 184.

In 1769, he published "The Adventures of an Atom," a stupid, foul, and scurrilous political satire, in which Lord Bute, having been his patron, was "lashed" in Smollett's usual style. In 1768, Smollett left England for ever. He desired a consulship, but no consulship was found for him, which is not surprising. He had finished "Humphrey Clinker," which appeared a day or two before his death.

Letter XXXVI gives opportunity for some discerning remarks on French taxation. The fragment known as Smollett's Dying Prophecy of 1771 has often been discredited. Yet the substance of it is fairly adumbrated here in the passage beginning, "There are undoubtedly many marks of relaxation in the reins of French government," written fully six years previously.

Nice at that juncture had just been returned by France to the safe-keeping of Savoy, so that in order to escape from French territory, Marteilhe sailed for Nice in a tartane, and not feeling too safe even there, hurried thence by Smollett's subsequent route across the Col di Tende. Many Europeans were serving at this time in the Turkish or Algerine galleys.

Emilia, in her scene with Peregrine in the bouge to which he has carried her, rises much above Smollett's heroines, and we could like her, if she had never forgiven behaviour which was beneath pardon. Peregrine's education at Winchester bears out Lord Elcho's description of that academy in his lately published Memoirs.

"But," one will naturally ask, "if Fathom lacks the amusing, and not infrequently stimulating, hurly-burly of Smollett's former novels; if its characters, though well-conceived, are seldom divertingly fantastic and never thoroughly animate; what makes the book interesting?" The surprise will be greater than ever when the answer is given that, to a large extent, the plot makes Fathom interesting.