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"Will not the heretics themselves gradually feel that they are robbing the pasty of faith of its truffles what am I saying? of its salt? May their dry black bread choke them! The only thing that gave the unseasoned meal a certain charm was the capitally performed gagliarde. "Which angered his Majesty more deeply than you imagine," replied Don Luis. "The singer's days are probably numbered.

Whilst Solomon was painting 'The Gossips' for me, he was engaged on a portrait of Jenny Lind, who, by the way, used to live here in The Boltons. Solomon told me of some of the great singer's odd expressions which she made use of whilst her portrait was in progress of being painted. "'No, no, she would cry, 'it's not like me! You haven't made my nose big enough.

There was no generous glow in her music; she did not cause him to feel any emotion other than that of astonishment at the perfection of her vocal organs. He had imagined that the great singer's voice would compel him to jump out of his seat and wave his hands wildly and shout and cheer ... but instead he had sat still and wondered at the marvellous way in which her throat functioned.

The spirit of Him, the Master, as Hans Keller called Wagner with pious adoration, flashed before the singer's eyes like the revealing glory that converted Paul on the road to Damascus. Music, as she now saw clearly for the first time, was not a means of pleasing crowds, displaying physical beauty, and attracting men.

For somehow, by some twist of singer's magic, this Florida bird was singing of Connecticut wind and river, of dogwood on a ridge, of water lilies in the purple of a summer twilight, of a spot named forever in her mind Arcadia.

Alboni's visit to the United States in 1852 was the occasion of a cordial and enthusiastic welcome, which, though lacking in the fury and excitement of the "Jenny Lind" mania, was yet highly gratifying to the singer's amour propre. There was a universal feeling of regret that her tour was necessarily a short one.

On the other hand, a wrongly produced voice seems to be formed or held in the back of the singer's throat. The tones of such a voice do not come out satisfactorily; they seem to be lodged in the throat instead of at the front of the mouth. In the badly used voice the impression of throat is conveyed by the sympathetic sensations awakened in the hearer.

The caliph waited awhile, in expectation of its ceasing; but he might apparently have waited until dawn of day, for verse was poured forth after verse: a small interval between them filled up by the musical gurgling of liquor from a bottle, and the gulps of the votary of Bacchus. At length, his patience being exhausted, the caliph ordered Mesrour to knock loudly at the singer's dwelling.

"And often now through sermon trite And operatic singer's flight, I long for that old friendly sight, The hand with herbs of value light, To help to pass the time." Were the dill and "sweetest fennel" chosen Sabbath favorites for their old-time virtues and powers? "Vervain and dill Hinder witches of their ill." And of the charmed fennel Longfellow wrote:

For, oh! this a song that ne'er can die, It seeks the heart of all humanity. In the deep cavern and the darksome lair, The sea of ether o'er the realm of air, In every nook my song shall still be heard, And all creation, with sad yearning stirred, United in a full, exultant choir, Pray thee to grant the singer's fond desire.