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Conscience has lost its strong and on-pressing energy, and the sense of personal responsibility lacks sharpness of edge. The native hue of spiritual resolution is sicklied o'er with the pale cast of distracted, wavering, confused thought. The souls of men have become void. Into the void have entered in triumph the seven devils of Secularity.

The joys of Nature are not for such as he; the love of the wild which exists in every one of us is, in him, too thickly "sicklied o'er" with the veneer of convention and civilisation.

From the days of his youth 'freedom', however unphilosophically he might think about it, had connoted for his imagination the highest and holiest interest of mankind; and when he began his first historical work his enthusiasm had not yet been sicklied o'er by the events of the Paris Terror.

"Sicklied o'er with the pale cast of thought." His mind was working its way slowly towards those conclusions, which sometimes ripen the best practical men out of the most exalted theorists, and perhaps he saw before him the pleasing prospect flatteringly exhibited to another, when he complained of being too honest for party, viz., "of becoming a very pretty rascal in time!"

It was hardly fancy that the flowers took the colors of the ribbons and stuffs of the looms, and that the same instant nature and art were sicklied o'er with the same pale hues of fashion. If this relation of nature and art is too subtle for comprehension, there is nothing fanciful in the influence of the characters in fiction upon social manners and morals.

And thus the native hue of resolution Is sicklied o'er with the pale cast of thought; And enterprises of great pith and moment, With this regard, their currents turn awry, And lose the name of action. With respect to Hamlet's character: I cannot, as I understand the poet's views, pronounce altogether so favourable a sentence upon it as Goethe does.

His face was sunburned, or sea-burned, where it was not bearded; and, although I knew from my friend's letter that he was a man of learning and distinction in his own country, I should never have supposed him a person of scholarly life, he was so far from sicklied over with anything like the pale cast of thought.

We should find the sprightly Rosina of "Il Barbiere" changed into a mature lady with a countenance sicklied o'er with the pale cast of a gentle melancholy; the Count's tenor would, in the short interval, have changed into barytone; Figaro's barytone into a bass, while the buffo-bass of Don Basilio would have reversed the process with age and gone upward into the tenor region.

We cannot enjoy anything for hankering to know whereof the pleasure consists. We are lined with eyes. We see with our feet. The time is infected with Hamlet's unhappiness, "Sicklied o'er with the pale cast of thought." Is it so bad then? Sight is the last thing to be pitied. Would we be blind? Do we fear lest we should outsee nature and God, and drink truth dry?

I do not mean that in the modern world we meet Hamlet, Iago, Macbeth, and Shylock, but when we perceive "the native hue of resolution sicklied o'er with the pale cast of thought," when we come in contact with the treachery of a seeming friend, with unholy ambition and insensate greed, we are better able to interpret them on the page of history from having grasped the lessons of Shakespeare to mankind.