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"Anything that you really" and I was going to say "admire?" But I cautiously left my sentence unfinished, and was glad that I had done so, for he said with unwonted emphasis, "Anything second-rate." I had read little of Shelley, but, "Of course," I murmured, "he's very uneven." "I should have thought evenness was just what was wrong with him. A deadly evenness. That's why I read him here.

The ball went spinning round in "its predestined circle rolled," as Shelley has it, after Goethe and plumped down at last in the double zero. "Oh, Diabolus!" cried he, "now it is that I begin to believe in thee! Don't talk about merit," he cried; "talk about fortune. Tell me not about heroes for the future tell me of ZEROES." And down went twenty napoleons more upon the 0.

She was only twenty-two, and though her emancipation had been accomplished in its way somewhat in advance of her generation, it had its origin in a very early period of her life, when she had been allowed to read books of verse Shelley, Byron, Shakespeare, Verlaine, Rossetti, Swinburne, and many others unchallenged and unguided.

Mary, however, did not agree with Shelley in admiring the Italian style of dancing; but those things on which they were ever of the same mind they had in plenty, for their beloved books arrived after being scrutinised by the Church authority; and while Shelley revelled in the delights of Greek literature, Mary shared those of English with him, for who can estimate the advantage of hearing Shakespeare and other poets read by Shelley!

He has given us a happy suggestion of the reality of spiritual spaces and the way that these fluttering bodies which are little more than spirit themselves have enjoyed a beauteous life. He was Keats-like in his appreciation of perfect loveliness, like Shelley in his passionate desire to transform all local beauty into universal terms.

The poet juggles with flowers and gems, stars and spirits, lovers and meteors; we are constantly expecting him to break into some design, and are as constantly disappointed. Our bewilderment is of a peculiar kind; it is not the same, for instance, as that produced by Blake's prophetic books, where we are conscious of a great spirit fumbling after the inexpressible. Shelley is not a true mystic.

"You will do no good with Shelley," Trelawney told Williams, "until you heave his books and papers overboard, shear the wisps of hair that hang over his eyes, and plunge his arms up to the elbows in a tar bucket." But he said, "I can read and steer at the same time." Read and steer!

Procter and the 'yellow-tressed Adelaide, then only eight or nine years old. Procter gave his visitor a volume of his own poems, and told him anecdotes of the various authors he had known, Hazlitt, Lamb, Keats, and Shelley. Another interesting entertainment was an evening party at Edward Bulwer's house.

The question is whether Wordsworth, however unequal to Shelley in lyric quality, to Coleridge or to Keats in imaginative quality, to Burns in tenderness, warmth, and that humour which is so nearly akin to pathos, to Byron in vividness and energy, yet possesses excellences of his own which place him in other respects above these master-spirits of his time.

What mercy could I expect from one who had never forgiven "Johnny" Keats for his frightful perversion of the sacred mystery of Endymion and Selene? and who was horrified at the base "modernism" of Shelley's "Prometheus Unbound?" But to think of it! He had known Shelley, and all the rest of the demigods, and his speech was golden with memories of them all!