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The first number, which appeared in September, was introduced, after a few words of preface, by the Vision of Judgment, with the signature Quevedo Redivivus, and adorned by Shelley's translation of the "May-Day Night," in Faust.
If he beat his wings in this cage of horrors, it was with the rage and terror of a bird which belongs to the free air. Shelley, Matthew Arnold held, was not quite sane. Sanity is a capacity for becoming accustomed to the monstrous. Not time nor grey hairs could bring that kind of sanity to Shelley's clear-sighted madness. If he must be compared to an angel, Mr. Wells has drawn him for us.
All this reminds us of Shelley's dream of Hermaphroditus, or perhaps of Shelley himself, for Chopin was the Shelley of music. His life in Paris was quiet and retired. The most brilliant and beautiful women desired to be his pupils, but Chopin refused except where he recognized in the petitioners exceptional earnestness and musical talent.
We are also told that Shelley's excessive nobility of nature prevented him from agreeing with his commonplace father; and truly the poet was a bad and an ungrateful son. But, if a pretty verse-maker is privileged to be an undutiful son, what becomes of all our old notions? I think once more of the great Sir Walter, and I remember his unquestioning obedience to his parents.
I must now engage in scenes of strong interest.... I expect to gratify some of this insatiable feeling in poetry.... I slept with a loaded pistol and some poison last night, but did not die," Happy man if he had been able to add, "And did not marry!" Last among the elements of Shelley's thought I may perhaps mention his atheism.
The embroidery of bare fact with a tissue of imagination was a peculiarity of Shelley's mind; and this letter may be used as a key for the explanation of many strange occurrences in his biography. What he tells Godwin about his want of love for his father, and his inability to learn from the tutors imposed upon him at Eton and Oxford, represents the simple truth.
Aberdeen produced the man who vivisected Shelley's "Skylark," and explained away the human mind and all that is therein; Aberdeen educated him, graduated him, married him, gave him the chair of Logic in her University, and finally made him Lord Rector. Bain thinks entirely in straight lines. He is the apotheosis of the Aberdonian. Which is a warning against regular cities. According to the Rev.
In some respects they resemble the letters of Keats; but there is absent from them the immaturity which was noted in those, and which extended to both matter and style. They are more various in subject and tone than Shelley's.
She was a little thing with a quality in her youth which made one think of the year at the spring, of the day at morn, of Botticelli's Simonetta, of Shelley's lark, of Wordsworth's daffodils, of Keats' Eve of St. Agnes of all the lovely radiant things of which the poets of the world have sung Of course Dalton did not think of her in quite that way.
But if in the gross materialism and greed of empire that is now the ruling passion with the enemy there is apparently little hope of a transformation that will make them spiritual, high-minded and generous, we must not abandon our ideal: while the meanness and tyranny of contemporary England stand forward against our argument and leave our reasoning cold, we can find a more subtle appeal in spirit, such an appeal as comes to us in a play of Shakespeare's, a song of Shelley's, or a picture of Turner's.
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