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Alas, Shakspeare had to write for the Globe Playhouse: his great soul had to crush itself, as it could, into that and no other mould. It was with him, then, as it is with us all. No man works save under conditions. The sculptor cannot set his own free Thought before us; but his Thought as he could translate it into the stone that was given, with the tools that were given.
Theobald, though of no original talent, was certainly, in his generation, the most successful illustrator of Shakspeare, and the first, though Rowe and Pope had preceded him in the effort, who had brought a sound verbal criticism to bear on the text. It is to his credit, that many of the most ingenious emendations suggested in Mr.
For this reason Shakspeare chose a syllabic measure which was very common before his time, but which was then going out of fashion, though it still continued to be frequently used, especially in translations of the classical poets. In some such manner might the shades express themselves in the then existing translations of Homer and Virgil.
The age of Philip II. was also the age of William of Orange and his four brethren, of Sainte Aldegonde, of Olden-Barneveldt, of Duplessis-Mornay, La Noue, Coligny, of Luther, Melancthon, and Calvin, Walsingham, Sidney, Raleigh, Queen Elizabeth, of Michael Montaigne, and William Shakspeare. It was not an age of blindness, but of glorious light.
Cary thinks that Dante had as much right to avail himself of "the popular creed in all its extravagance" as Homer had of his gods, or Shakspeare of his fairies. But the distinction is obvious.
Who can tell how much the heart-stirring appeals of Shakspeare have done to string to lofty purposes the British heart; how powerfully the dignified sentiments of Corneille have contributed to sustain the heroic portions of the French character? "C'est l'imagination," said Napoleon, "qui domine le monde."
It is reserved to some black Shakspeare or Dickens to lay open the wonderful humor, pathos, poetry, and power which slumber in the negro's soul, and which now and then flash out like the fire from a thunder-cloud. I do not mean to say that this black prophet has come in this narrative. He has not.
In matters less material Madame d'Alberg took as director the great authority of Shakspeare, and none can tell how many countless times she justified herself by repeating in the most suasory tone this little extract from Hamlet: "This above all to thine own self be true And it must follow as the night the day Thou cans't not then be false to any man."
By this beautiful route they reached Verona, and then Venice. It was by this very road she entered Venice twenty-five years before with her dying child. She remarks that Shakspeare knew the feeling and endued the grief of Queen Constance with terrible reality; and, later, the poem of "The Wood Spurge" enforces the same sentiment.
Though the poet does not admit this lapse of time into his exhibition immediately, in the midst of the characters, as in a mirror, he gives us as it were a perspective view of it. In this sort of perspective Shakspeare is the greatest master I know: a single word frequently opens to view an almost interminable vista of antecedent states of mind.
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