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No prompt-books, no lamps, no acting Congreve and Shakspeare there! For what parts in the skies have your studies on the earth fitted you? Your ultimate destinies are very puzzling. Hail to your effigies, and pass we on!

Incledon used to wish that his old music-master could come down from heaven to Norwich, and could take the coach up to London to hear that d d Jew sing, referring thus civilly to the respectable John Braham. I have sometimes wished that Shakspeare could make a similar descent, and face his critics.

Neoptolemus whose character is a sketch which Shakspeare alone could have bodied out has all the generous ardour and honesty of youth, but he has also its timid irresolution its docile submission to the great its fear of the censure of the world.

Now don't be startled at the names of Shakspeare and Byron. Both these were great men, and their works are like themselves. You will know how to choose the good, and to avoid the evil; the finest passages are always the purest, the bad are invariably revolting; you will never wish to read them over twice.

In Shakspeare the modern editors have inserted the scenical directions; and in doing so, they have proceeded with the most pedantic accuracy. Whoever has the management of the representation of a piece of Shakspeare's may, without any hesitation, strike out at once all such changes of scene as the following:"Another room in the palace, another street, another part of the field of battle," &c.

The occasional remarks of the tinker, during the course of the representation of the comedy, might have been improvisatory, but it is hardly credible that Shakspeare should have trusted to the momentary suggestions of the players, whom he did not hold in high estimation, the conclusion, however short, of a work which he had so carefully commenced.

Rumor's hundred tongues wag with the announcement, that his Excellency is no longer inconsolable for his wife's death; and desires to testify to the happiness of conjugal relations, by a renewal of the sweet bondage; a curiously subtile compliment to the deceased. If I may be pardoned the enormity of the heresy, I think Shakspeare blundered supremely, when he gave Iago's soul to a man.

He has picked up, as I believe, an authentic portrait of Shakspeare. He paid a broker about £40 English for it. It is painted on the one half of a pair of bellows, a lovely picture, corresponding with the Folio head. The bellows has old carved wings round it and round the visnomy is inscribed, as near as I remember, not divided into rhyme, I found out the rhyme,

Notwithstanding his pretended renunciation, Richard places his chief vanity in being able to please and win over the women, if not by his figure at least by his insinuating discourse. Shakspeare here shows us, with his accustomed acuteness of observation, that human nature, even when it is altogether decided in goodness or wickedness, is still subject to petty infirmities.

Two pictures of Washington Irving, the chair in which the father of American literature sat, and the table on which he wrote, immortalizing his visit to that hotel, adorn the room. From thence we sallied forth to see the clean, quaint village of Stratford. It was built just to have Shakspeare born in. We have not heard that there was any one else ever born there, before or since.