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But in course of time SEEBACH gives us the Garden scene, winning our frantic admiration by her inimitable tenderness and grace, and finally we reach that grandest scene ever written by dramatist, that most pathetic poem ever conceived by poet the meeting of "FAUST" and "MARGARET" in prison. At last we are more than repaid for the dreary hours that have gone before.

If you will excuse me, I will return to my work again. He thereupon took his leave. The next day I met Herr von Seebach, the friendly Saxon Ambassador, who was as hoarse as he could be, as he and all his friends had completely lost their voices through the uproar of the previous night.

The effect of all these demonstrations was exceedingly refreshing, and I almost regretted having to leave the rejuvenating atmosphere of Buda-Pesth, and return to my dull and musty Viennese asylum. On the homeward journey, in the beginning of August, I travelled part of the way with Herr von Seebach, the amiable Saxon Ambassador, whom I had known in Paris.

In a word, the age that has seen Rachel, Seebach, Ristori, Charlotte Cushman, and Adelaide Neilson, the age that sees Ellen Terry, Mary Anderson, Edwin Booth, Joseph Jefferson, Henry Irving, Salvini, Coquelin, Lawrence Barrett, John Gilbert, John S. Clarke, Ada Rehan, James Lewis, Clara Morris, and Richard Mansfield, is a comparatively sterile period "Too long shut in strait and few, thinly dieted on dew" which ought to have felt the spell of Cooper and Mary Buff, and known what acting was when Cooke's long forefinger pointed the way, and Dunlap bore the banner, and pretty Mrs.

2ND GERMAN. "Ah, my friend, how this sublime creation stirs the inner depths of our spiritual natures. Ach, Himmel! it is the poem of Humanity. Let us go out for beer." 2D AMERICAN. "When are we going to see SEEBACH?" USHER. "She don't appear until the twenty-third act, sir. That will be on about three hours from now." 2D AMERICAN. "Come, TOM, let's go and have supper. I am getting exhausted."

To me, she seems like an incarnation of Pure Reason, an Avatar of the spirit of transcendental philosophy. Come, we will pledge her in beer." 1ST AMERICAN. "What are they making all that row about just because SEEBACH walked across the stage? Why, she never said a word." 2D AMERICAN. "Let's go round to the hotel and take a quiet sleep till she comes on again. I've got my night-clothes with me.

'You are the young man whom M. de Seebach recommended? I bowed, and handed him a letter from that gentleman, with which my captain had taken care to provide me. As he looked at it I had leisure to examine him. My uncle was a man of sixty years of age, dressed superbly in a coat and breeches of apricot-coloured velvet, a white satin waistcoat embroidered with gold like the coat.

Where on the marshes boometh the bittern, Nicker the Soulless sits with his ghittern; Sits inconsolable, friendless and foeless, Bewailing his destiny, Nicker the Soulless. The Nixie of the Mummel-lake The legend of the nixie of Seebach is one of gloom and tragedy, albeit as charming as most of the Rhine tales.

The result was that, after settling several ridiculous objections, all of which Herr von Seebach had to repeat to me, the latter was able to report that, although King John would not pardon me, nor permit my return to the kingdom of Saxony, yet he would raise no obstacle to my staying in any other state in the German Confederation which I might have to visit in pursuit of my artistic aims, provided such a state made no objection to my presence.

The only enjoyable hours were spent at the theatre in Hanover, where I saw Niemann in Templar and Jewess, and for the first time witnessed the thoroughly studied yet perfectly natural impersonations of Marie Seebach. I also remember with much pleasure the royal riding-school in charge of General Meyer.