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THE DEATH OF MR. S. JOSEPH, the sculptor, known by his statue of Wilberforce in Westminster Abbey and his statue of Wilkie in the National Gallery, is mentioned in the English papers. His busts exhibit a fine perception of character, and many a delicate grace in the modeling. Mr. Joseph was long a resident in Edinburgh.
Some One-or-Other: preferably Mrs. Willis Bailey. Somehow it seemed appropriate to do the deed at the Dam. And always in future, when people ask what impression the eighth wonder of the world made upon me, I shall doubt for an instant whether they refer to the American sculptor, or to the Barrage.
Every lineament, every single feature of his face was as regular as if modelled by a sculptor; nevertheless there was something ugly and repulsive in the whole, and in order to be able to admire it, it was necessary first to get accustomed to this most extraordinary being.
That broke my strength, and when they brought me to the hospital I was on the verge of despair, and life seemed a greater burden than I could bear. Your image, my Saviour, had just been finished by a sculptor, who had carved it from the wood of the nut-tree by the Fresh Spring. They put it up opposite to my bed.
To-day the principal place in this distinguished circle of famous men, great and wealthy nobles, beautiful and aristocratic women, was awarded to the blind sculptor. He was pledged by every one who had admired his Demeter, who compassionated his sad fate, or who desired to be agreeable to him or his host.
"I can see the two priests, I can hear them. If an exception be made in favour of the Virgin, would the sculptor be justified in employing a model to do a statue of a saint?" "No one supposes that Rubens did not employ a model for his descent from the Cross," said Rodney. "A man is different, that's what the priests would say."
His trail is now lost and on the edge of the continent he finds himself almost annihilated. Panel from the Column of Progress By Isidore Konti, Sculptor The four panels on the Column of Progress show the different mental conditions of men on their onward march thru life. In the center of the panel stands the man of inspiration the eagle, bird of inspiration, perched on his shoulder.
A letter written by the Bishop Tornabuoni to Giovanni Francesco Lottini in Rome shows that these overtures began as early as 1546. The prelate says the Duke is so anxious to regain "Michelangelo, the divine sculptor," that he promises "to make him a member of the forty-eight senators, and to give him any office he may ask for."
Were wild flowers clay, were the gardener both painter and sculptor, he could not have wrought marvels more glorious than these. In a few years the brethren of his guild have brought about a revolution for which, if possible at all to her, nature in the open fields would ask long centuries. And the gardener's experiments with these strange children of his have all the charm of surprise.
One of the finest artists who was working at the Certosa under Lodovico's eye in the summer of 1491, was the accomplished Roman sculptor, Giovanni Cristoforo Romano. We remember how he had been sent to Ferrara in the autumn of the previous year to execute a bust of Beatrice for his master.
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