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When Lewis the Bavarian was to be crowned by force, Sciarra Colonna crowned him; when Henry the Seventh of Luxemburg had come to Rome for the same purpose, a few years earlier, the Orsini had been obliged to be satisfied with a sort of second-rate coronation at Saint John Lateran's; and when the struggle between the two families was at its height, nearly two centuries later, and Sixtus the Fourth 'assumed the part of mediator, as the chronicle expresses it, one of his first acts of mediation was to cut off the head of a Colonna, and his next was to lay regular siege to the strongholds of the family in the Roman hills; but before he had brought this singular process of mediation to an issue he suddenly died, the Colonna returned to their dwellings in Rome 'with great clamour and triumph, got the better of the Orsini, and proceeded to elect a Pope after their own hearts, in the person of Cardinal Cibo, of Genoa, known as Innocent the Eighth.

A man without a name was not his own beginning to be famous, and was it not better to make the name Gouache glorious by his own efforts than to be called Orsini because one's ancestors had been fierce and lawless as bears, or Sciarra because one's progenitor had slapped the face of a pope?

The Palazzo Sciarra was let: the first floor to the Minister of Foreign Affairs and the second to a senator, while the Prince and his mother merely occupied the ground floor. The Palazzo Barberini was let: its ground floor, first floor, and second floor to various families, whilst the Prince found a refuge on the third floor in the rooms which had been occupied by his ancestors' lackeys.

There may have been a connection, too, in the minds of the people, between the 'Column of Piazza Colonna' and the Column of the Colonna family, since a great part of this Region had fallen under the domination of the noble house, and was held by them with a chain of towers and fortifications; but the pillar which is the device of the Region terminates in the statue of the Apostle Peter, whereas the one which figures in the shield of Colonna is crowned with a royal crown, in memory of the coronation of Lewis the Bavarian by Sciarra, who himself generally lived in a palace facing the small square which bears his name, and which is only a widening of the Corso just north of San Marcello, the scene of Jacopo Colonna's brave protest against his kinsman's mistaken imperialism.

To be sure, old Sciarra used to sell permission to copy his pictures, but he was a notorious miser, and has found no imitators. They practise generally the virtue of charity, in a somewhat indiscriminate manner, from the love of patronage, from pride, habit, and weakness, because they are ashamed to refuse.

The Caetani, indeed, once bought from a Florentine banker what is now the Ruspoli palace, and Sciarra Colonna had lived far down the Corso; but with these two exceptions, the princely habitations between the Piazza del Popolo and the Piazza di Venezia are almost all the property of families once thought foreigners in Rome.

There lie the last of the Stuarts, with their pitiful kingly names, James the Third, Charles the Third, and Henry the Ninth; the Emperor Otho the Second has lain there a thousand years; Pope Boniface the Eighth of the Caetani, whom Sciarra Colonna took prisoner at Anagni, is there, and Rodrigo Borgia, Alexander the Sixth, lay there awhile, and Agnes Colonna, and Queen Christina of Sweden, and the Great Countess, and many more besides, both good and bad even to Catharine Cornaro, Queen of Cyprus, of romantic memory.

And yet it is out of the question to fix the period of the general transformation which ultimately turned the Rome of the Barons into the Rome of Napoleon's time, and converted the high-handed men of Sciarra Colonna's age into the effeminate fops of 1800, when a gentleman of noble lineage, having received a box on the ear from another at high noon in the Corso, willingly followed the advice of his confessor, who counselled him to bear the affront with Christian meekness and present his other cheek to the smiter.

Her masterpiece is a picture of "St. Anthony Adoring the Virgin and Child," which is in the Pinacoteca of Bologna. There are pictures by her in the Belvedere and Lichtenstein Galleries at Vienna, in the Hermitage at St. Petersburg, and in the Sciarra Palace, Rome. In person Elisabetta Sirani was beautiful, and her character commanded the affection of all who knew her.

He ascended the papal throne and calmly waited. Guillaume, Sciarra and the other leaders burst into the apartment, sword in hand, uttering the foulest of insults; but awed and cowed by the indomitable old pontiff, who stood erect in appalling majesty, their weapons dropped as though their hands were palsied and none durst offend him.