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My heart overflowed when I thought what it meant for Dresden, if such giants of German art were to shake hands there. I was much struck by Schnorr's appearance and conversation, and I could not reconcile his whining pedagogic manner with his mighty cartoons; however, I thought it a great stroke of luck when he also took to frequenting Engel's restaurant on Saturdays.
It is no wonder the King writes poetry, when he breathes, eats, and even sleeps in an atmosphere of it. We were shown the rooms for the private parties of the Court, the school-room, with scenes from the life of the Ancient Greeks, and then conducted down the marble staircases to the lower story, which is to contain Schnorr's magnificent frescoes of the Nibelungen Lied the old German Iliad.
As he was unable to deny that, especially since Schnorr's departure for Dresden, he did not possess the requisite singers for my work, he referred me to Vienna, expressing at the same time his astonishment that I did not try to have my operas produced there, where everything required was ready to hand.
Allison senior, fatigued, had gone to bed as soon as they reached their hotel. Mrs. Lawrence, "auntie," that is, Miss Allison, and their maid were billeted in very comfortable rooms under Herr Schnorr's hospitable roof. Elmendorf stepped in to write letters, and Cary sneaked out for a smoke. It was after ten. The shops were closed.
Then assure yourself," he continues, "that this complete gigantic orchestra, considered from an operatic point of view, is, after all, only related as accompaniment to the 'solo' part represented by the monologue of the vocalist, who lies on his couch; and infer from this the significance of Schnorr's impersonation, if I call to witness every conscientious spectator at those Munich performances, that, from the first bar to the last, the attention and interest of all was centred on the vocalist actor, was chained to him, and never allowed a single word of the text to escape through a momentary absence of mind; and that the orchestra, as compared with the singer, completely disappeared, or, more correctly speaking, seemed to be a constituent part of his song."
Schnorr's Bible prints by Rose and Bingen are something of the kind that I mean, something quite rude will do. Twenty-four subjects, comprising nothing either conventional or symbolical, would be an endless treasure for teachers; the intervening history would be filled up and illustrated by smaller pictures, but these would be pegs on which to hang the great events these lads ought to know.
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