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"Do you suppose that Savonarola would think it had all come out right," asked Colville, a little maliciously, "if he could look from the window with us here and see the wicked old Carnival, that he tried so hard to kill four hundred years ago, still alive? And kicking?" he added, in cognisance of the caper of one of the maskers. "Oh yes; why not?

Lorenzo, as we have said, was awaiting the arrival of Savonarola with an impatience mixed with uneasiness; so that, when he heard the sound of his steps, his pale face took a yet more deathlike tinge, while at the same time he raised himself on his elbow and ordered his three friends to go away.

The great historical personage whom George Eliot paints in "Romola" is Savonarola, and I think faithfully, on the whole. In the main she coincides with Villani, the greatest authority. In some respects I should take issue with her. She makes the religion of the Florentine reformer to harmonize with her notions of self-renunciation.

For, observe, Savonarola lost his head and his life, good soul! where the Florentines did not. The cobbler went beyond his last when the Frate essayed politics. He suffered accordingly. But in Perugia, in Siena, in Gubbio and Orvieto, the great revivalists Bernardine, Catherine, Fra Roberto, held absolute rule over body and soul. And how Niccolo Alunno would have painted the Salvation Army!

"And do you desire that I should yield up on my deathbed the power that has made the glory of my whole life?" cried Lorenzo dei Medici. "It is not I who desire it; it is the Lord," replied Savonarola coldly. "Impossible, impossible!" murmured Lorenzo.

Throughout his lifetime there continued a conflict between the artist and the citizen the artist owing education and employment to successive members of that house, the citizen resenting their despotism and doing all that in him lay at times to keep them out of Florence. As a patriot, as the student of Dante and the disciple of Savonarola, Michael Angelo detested tyrants.

He ruled indeed at Geneva as Savonarola did in Florence, but he did not have as liberal ideas as the Florentine reformer about the political liberties of the people. He made his faith the dearest thing a man could have, to be defended unto death in the face of the most unrelenting persecution.

Savonarola thundered against the extravagance, moral riot and pomp of the rich and this meant the Medici, and all those who fed at the public trough, and prided themselves on their patriotism. Lorenzo grew uneasy, and sent requests that the preacher moderate his tone in the interests of public weal. Savonarola sent back words that were unbecoming in one addressing a ruler.

We produce, probably, per capita, 1000 times more in weight of ready-made clothing, Irish lace, artificial flowers, terra cotta, movie-films, telephones, and printed matter than those Florentines did, but we have, with our 100,000,000 inhabitants, yet to produce that little town, her Dante, her Andrea del Sarto, her Michael Angelo, her Leonardo da Vinci, her Savonarola, her Giotto, or the group who followed Giotto's picture.

Savonarola was not only in the attitude of prayer, there were Latin words of prayer on his lips; and yet he was not praying.