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At the worst, should it be thought that Byzantine influence appears so plainly in the later Sassanian works, that Rome rather than Persia must be credited with the buildings and sculptures of both the first and the second Chosroes, still it will have to be allowed that the earlier palaces those at Ser-bistan and Firuzabad and the spirited battle-scenes above described, are wholly native; since they present no trace of any foreign element.
Some further representations of Ormazd occur in the Sassanian sculptures; but Ahriman seems not to be portrayed elsewhere. Ormazd appears on foot in a relief of the Great Arta-xerxes, which contains two figures only, those of himself and his divine patron.
When Persia under the Sassanian princes shook off the barbarous yoke to which she had submitted for the space of almost five centuries, she found architecture and the other fine arts at almost the lowest possible ebb throughout the greater part of Western Asia.
Tradition says that Sapor used his power over Valerian to obtain Roman engineers for this work; and the great dam is still known as the "Dam of Cæsar" to the inhabitants of the neighboring country. Sapor died, having reigned thirty-one years, from A.D. 240 to A.D. 271. He was undoubtedly one of the most remarkable princes of the Sassanian series.
The beard is short and curled. The hair falls behind the head, also in curls. The earring, wherewith the ear is ornamented, has a double pendent. Flames issue from the left shoulder, an exceptional peculiarity in the Sassanian series, but one which is found also among the Indo-Scythian kings with whom Balas was so closely connected.
Among the victims of his cruelty, Bindoes, a Sassanian prince, had been cast into a dungeon; his fetters were broken by the zeal and courage of a brother; and he stood before the king at the head of those trusty guards, who had been chosen as the ministers of his confinement, and perhaps of his death.
The third specimen of a Sassanian battle-scene exists at Firuzabad, in Persia Proper, and has been carefully rendered by M. Flandin. His horse tumbles at the same time, though why he does so is not quite clear, since he has not been touched by the other charger. His attitude is extravagantly absurd, his hind feet being on a level with the head of his rider.
The height of the arch varies in Sassanian buildings from about fifty to eighty-five feet; it is generally plain, and without ornament; but in one case we meet with a foiling of small arches round the great one, which has an effect that is not unpleasing. The domed apartments are squares of from twenty-five to forty feet, or a little more.
Now, when Armenia had become a dependency of Rome, the protectorate hitherto exercised by the Sassanian princes passed naturally to the Caesars; and with the protectorate was bound up the right of granting investiture to the kingdom, whereby the protecting power was secured against the establishment on the throne of an unfriendly person.
It is written in the chronicles of the Sassanian monarchs that there once lived an illustrious prince, beloved by his own subjects for his wisdom and his prudence, and feared by his enemies for his courage and for the hardy and well-disciplined army of which he was the leader.
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