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That's why she lets me do what I like. She doesn't care enough to stop me. She only really cares for Dad and John and Nicky and Michael." Rosalind looked fierce and stubborn. "That's what's the matter with all of you," she said. "What is?" "Caring like that. It's all sex. Sex instinct, sex feeling. Maud's right. It's what we're up against all the time."
The others looked at the print, and then Rosalind returned to a work-table that pleased her fancy, Katherine following her. As Belle lingered, Jack, in a spirit of mischief, suddenly pulled the door to. "Jack! Jack! please let me out," she cried. "Why don't you come out, goosie?" "You have locked the door. Please, Jack!"
Every sentence of Meres' critical effort or, to be rigorously exact, every sentence but one is built on "as" and "so"; but it reads like a parody a schoolmaster's parody of Touchstone's improvement on Orlando's verses in praise of Rosalind. Shakespeare is brought into line with Ovid, Elizabeth with Achilles, and Homer with William Warner.
Rosalind became the proud possessor of the dolphin bureau; and her uncle obtained also the miniature of Patricia, for what seemed indeed an extravagant sum, but he had given his promise to his sister. At the close of the sale on the second day, Allan went into the library to examine some books.
She had done very well and Miss Tebbs had praised her work, though in her secret heart Eleanor knew that Anne's work was finer than her own. But the means of gratifying her own personal vanity blinded her to everything except the fact that she wanted to play Rosalind regardless of Anne's superior ability.
But she did not mean to go and see her. She wasn't sure that she liked Desmond. Rosalind stayed on to dine with Dorothy's family. She was no longer living with her own family, for Mrs. Jervis was hostile to Women's Franchise. She had rooms off the Strand, not far from the headquarters of the Union. Frances looked a little careworn.
"Shakespeare's 'As You Like It. Edited by Louis A. Sargent," he read. "Why, it is one of Shakespeare's plays," he said, in surprise. So this was the story Rosalind was talking about. On the fly-leaf was some writing in small clear letters.
Rosalind and Celia, when they were alone, began to talk about the handsome wrestler, and Rosalind confessed that she loved him at first sight. "Come, come," said Celia, "wrestle with thy affections." "Oh," answered Rosalind, "they take the part of a better wrestler than myself. Look, here comes the Duke." "With his eyes full of anger," said Celia.
I don't know which to follow. Why should I not love her? Harry, I do love her. She is everything to me in life. Night after night I go to see her play. One evening she is Rosalind, and the next evening she is Imogen. I have seen her die in the gloom of an Italian tomb, sucking the poison from her lover's lips.
The costumes had for the most part been on hand, as the senior class of five years previous had given the same play and bequeathed their paraphernalia to those who should come after. Rosalind's costumes had to be altered to fit Anne, however, on account of her lack of stature. Also the lines in the text where Rosalind refers to her height underwent some changes.
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