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He professes to have seen nothing peculiar in Romeo's dress, save its display of fine diamonds, and to have admired the whole interpretation. The attitude of the audience he attributes to a hostile cabal. John R. and Hunter H. Robinson, in their memoir of Romeo Coates, echo Mr. Pryse Gordon's tale. They would have done well to weigh their authorities more accurately.

Hamlet had known of Romeo's futile passion, but he had not been aware until then that his betrothed was the heroine of the balcony adventure. On leaving Juliet he-went to look up the Montague; not for the purpose of crossing rapiers with him, as another man might have done, but to compliment him on his unexceptionable taste in admiring so rare a lady.

I have quoted above Romeo's prevision of "Some consequence yet hanging in the stars"; and beside it may be placed Juliet's "I have no joy of this contract to-night; It is too rash, too unadvised, too sudden, Too like the lightning which doth cease to be Ere one can say it lightens."

We past through the town of Sobral, soon after dark, the same night; and, by the aid of some rushlights in a window, saw two apothecaries, the very counterparts of Romeo's, who were the only remnants of the place, and had braved the horrors of war for the sake of the gallipots, and in the hopes that their profession would be held sacred.

She took a scarf from her wardrobe and wound it about her, because she feared a chill, and because she wished to look well as she stood in front of the soft night, calling upon her lover. 'Come, she said. 'I'm waiting for you. Come, oh, my lover, and you'll find me no longer cold. I'm a Juliet burning for Romeo's kisses.

She let him go, and afterwards sat pensive, nor heeded now Romeo's light chatter, nor yet the sonnet of Petrarca that presently he sang the company. Her thoughts were all with him that had left the board.

Every employment seems easy to him, but he really cares for none but literature. He spends all his spare time in reading and in amusements, and begins to write a tragic opera. This proves, however, eminently unsuccessful, and he burns it in a comic fit of anger. One laughable love-affair in which he engaged at Udine exhibits his adventures in their truly comic aspect. It reminds us of the scene in 'Don Giovanni, where Leporello personates the Don and deceives Donna Elvira. Goldoni had often noticed a beautiful young lady at church and on the public drives: she was attended by a waiting-maid, who soon perceived that her mistress had excited the young man's admiration, and who promised to befriend him in his suit. Goldoni was told to repair at night to the palace of his mistress, and to pour his passion forth beneath her window. Impatiently he waited for the trysting hour, conned his love-sentences, and gloried in the romance of the adventure. When night came, he found the window, and a veiled figure of a lady in the moonlight, whom he supposed at once to be his mistress. Her he eloquently addressed in the true style of Romeo's rapture, and she answered him. Night after night this happened, but sometimes he was a little troubled by a sound of ill-suppressed laughter interrupting the tête-

She saw the cup that had held the poison, and knew how all had happened, and since no poison was left for her, she drew her Romeo's dagger and thrust it through her heart and so, falling with her head on her Romeo's breast, she died. And here ends the story of these faithful and most unhappy lovers.

In the first few weeks my artist's ears and eyes and soul were hazed to a frazzle. From "that boy who will go far" I became "you damn young freshman." I was told to make love to a horse's hind leg, I was made to perch on a gatepost and read the tenderest passages of "Romeo and Juliet," replacing Romeo's name by my own, and Juliet's by that of stout Mrs.

That same day, about noon, Romeo's friends, Benvolio and Mercutio, walking through the streets of Verona, were met by a party of the Capulets with the impetuous Tybalt at their head. This was the same angry Tybalt who would have fought with Romeo at old Lord Capulet's feast. He, seeing Mercutio, accused him bluntly of associating with Romeo, a Montague.