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Lee concludes his most interesting note by suggesting that the present play may be the one to which Peele alludes; but he will at once perceive from my extracts that the date 1589 is much too early. Here is a passage that might have been written by Cyril Tourneur: The concentrated bitterness of those lines is surpassed by nothing in the Revenger's Tragedy.

While, in Italy, Giraldi Cinthio prattles off to a gay party of ladies and gentlemen stories of murder and lust as frightful as those of "Titus' Andronicus," of "Giovanni and Annabella," and of the "Revenger's Tragedy," in the intelligent, bantering tone in which he tells his Decameronian tales; in England, Marston, in his superb prologue to the second part of "Antonio and Mellida," doubts whether all his audience can rise to the conception of the terrible passions he wishes to display: If any spirit breathes within this round Uncapable of weighty passion, Who winks and shuts his apprehension up From common sense of what men were and are, Who would not know what men must be: let such Hurry amain from our black visaged shows; We shall affright their eyes.

These frightful Brachianos and Annabellas and Ferdinands and Corombonas and Vindicis and Pieros of the "White Devil," of the "Duchess of Malfy," of the "Revenger's Tragedy," and of "Antonio and Mellida," are mere fantastic horrors, as false as the Counts Udolpho, the Spalatros, the Zastrozzis, and all their grotesquely ghastly pseudo-Italian brethren of eighty years ago.

What a "Revenger's Tragedy" might not Cyril Tourneur have made, had he known all the details, of the story of Alessandro de' Medici's death! What a Vindici he would have made of the murderer Lorenzino; with what a strange lurid grandeur he would have surrounded the plottings of the pander Brutus.

I anticipated a sore task, in conveying to her the news of his glorious fate: but this trial was spared me, in a manner as strange as anything that had happened to me in Fairy Land. "No one has my form but the I." Schoppe, in JEAN PAUL'S Titan. "Joy's a subtil elf. I think man's happiest when he forgets himself." CYRIL TOURNEUR, The Revenger's Tragedy.

The omission of various qualifying phrases has left his argument without such explanation, his statements without such reservation, as he had been careful to supply. He did not say in so many words that he had been disposed to assign this drama to the author of The Revenger's Tragedy simply on the score of the affinity discernible between the subjects of the two plays.

He based this opinion principally on the ground of style. From its similarity of subject he had at first been disposed to assign it to Cyril Tourneur, author of The Revenger's Tragedy; and he had drawn up in support of this theory a series of parallel passages extracted from the speeches of Vindice in that drama and of Oberon in the present play.

He hath some other parts of almost equal merit, as Malevole, in the 'Malcontent; Frankford, in the 'Woman Killed with Kindness; Brachiano, in Webster's 'White Devil; and Vendice, in Cyril Tournour's 'Revenger's Tragedy."