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She ran her gray-green eye over it. The message read: Daniel Loughlin, Albion House, James Slip. Get the men together at your place; I will meet them Friday. They must go aboard at once, and take the yacht to Fortress Monroe. We shall then be sure of having it in Washington when we want it. The San Reve read and re-read until she had every word by heart.

The daughter of a forger she would stain the name of wife! Richard might have her then; Storri would give her to him for a revenge! These were the mutterings of Storri as he went preyed upon by love and hate at once. "If you do not love Miss Harley," said the flushed but logical San Reve, "why do you go there? You say, 'Once a week! Why once a week? Why once a month? Why at any time?

The entire six months had been passed at Mon Reve, Lady Susan's villa at Montricheux, and with a jerk Ann emerged from her train of retrospective thought to the realisation that her lines had really fallen in very pleasant places, after all. It seemed as though there were some truth in Lady Susan's assertion that things had a way of working out all right in the end.

"Storri, why did you bring me from Ottawa?" "If it come to that," retorted Storri spitefully, "why did you leave Ottawa?" "I left Ottawa for love," the San Reve replied, as though considering with herself. "I left Ottawa for love of you, just as four years before I came to Ottawa for love of another." "You have had adventures," remarked Storri sarcastically.

Then remembering the boy, she wrote in "New York," and sent him on his way. Boy gone, the San Reve, doubts revived and all her jealous suspicions restored to sharpest life, gave herself to groping out the meaning of that message by the light of those lies wherewith Storri had solemnized its production.

Then she threw aside her hat and wraps, and glanced at herself in the glass. She was a striking figure, the San Reve, with brick-colored hair and eyes more green than gray. Her skin showed white as ivory; her nose and mouth and chin, heavy for a woman, told of a dangerous energy when aroused. The eyebrows, too, had a lowering falcon trick that touched the face with fierceness.

She extracted the needle. "I don't think I'm unwomanly but I'm not a good sewer. Emile! don't you think we might have some music? I really am beginning to sing 'Le Rêve' quite well." Her education in Anarchy had commenced with the teaching of revolutionary songs. Emile, who was himself music-mad, had discovered her to be possessed of a rough contralto voice of a curious mature quality.

By critics who pretend to advanced views he has been greeted as the rightful successor of Wagner, while the conservative party in music have not hesitated to stigmatise him as a wearisome impostor. 'Kérim' , his first work, passed almost unnoticed. 'Le Rêve, an adaptation of Zola's novel, was produced in 1891 at the Opéra Comique, and in the same year was performed in London.

If we could bring an inhabitant of Venus or Mars to the earth and ask him to judge of life on the earth from Zola's novels, he would say most assuredly: "This life is sometimes quite pure, like 'Le Rève, but in general it is a thing which smells bad, is slippery, moist, dreadful."

"You know, my San Reve, I have business with Mr. Harley. Let me tell you: Mr. Harley, through his relative, Senator Hanway " "You go to see the girl," interrupted the San Reve, and the sullen contralto was vibrant of danger. "You go to see Miss Harley, not her father." "And if I do?" Storri put his query blusteringly.