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The nuns who were not to take part in the play had been seated directly under the stage, divided from the rest of the company by a low screen of foliage. Ranged beneath the footlights, which shone on their bare shoulders and white gowns, and on the gauze veils replacing their monastic coifs, they seemed a choir of pagan virgins grouped in the proscenium of an antique theatre.

Among the subscription seats in the orchestra sat the Baron de Samoreau, the notary Durand, treasurer of the Industrial Orphan Asylum; the aide- de-camp of General Lenaieff, beside his friend the Marquis de Prerolles. One large box, the first proscenium loge on the right, was still unoccupied when the curtain rose on the second act.

What is called a "string light," viz., a piece of gaspipe with fishtail burners at frequent intervals, connected with the permanent gas arrangements of the house by a piece of india rubber tube, and fixed in a vertical position behind each side of the temporary proscenium, will be found very effective; one or the other set of lights being turned up, as may be necessary.

"The young lady in the proscenium box, I will wager," said Lenaieff. "Precisely. I know that they call her Zibeline, but I did not catch her real name." "It is Mademoiselle de Vermont," said Edmond Delorme. "She is, in my opinion, the most dashing of all the Amazons in the Bois de Boulogne.

The orchestra had been enlarged, some of the boxes had terra-cotta draperies, and over each box was now suspended an enormous tablet, neatly framed, bearing upon it the number of that box. There was also a drop-scene, representing a pink and purple landscape, wherein sported many a lady lightly clad, and two more ladies lay along the top of the proscenium to steady a large and pallid clock.

Finally, to facilitate communication between the stage and the orchestra, a pair of flights of steps descended laterally from the proscenium.

The actors of the company, silent and remote, watched them; old Tinker, halfway down an aisle, stood listening; and near the proscenium two workmen, tools in their hands, had paused in attitudes of arrested motion. Save for the voices of the two players, the whole vast cavern of the theatre was as still as the very self of silence. And the stirless air that filled it was charged with necromancy.

Dressed in a costume that seemed to be the very soul of anachronism, he stood a little outside the proscenium, holding a spear, the other hand pressed apparently upon the secret within his breast, calmly surveying, with his waxen face, the gay auditorium.

In the proscenium of the theatre in that city was a huge bas-relief of the Battle of the Giants, the famous work of an ancient sculptor he, Beryllus, had seen it and from amid the numerous figures in this piece of sculpture the tempest had torn but a single one which? Dionysus, the god as whose mortal image Antony had once caroused in a vine-clad arbour in the presence of the Athenians.

Her awareness of Lindsley on a diagonal from her so that she could see his profile hook into the music-scented dimness, ran under her skin like a quick shimmer. The proscenium arch curved again into her consciousness, herself its center and vocal beyond the powers of the human organ. The slamming up of chairs and mussy shuffling into wraps recalled her.