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Cargill's new cure for dyspepsia. Last of all, twenty minutes late, came Abinger Vennard. He made a fine stage entrance, walking swiftly with a lowering brow to his hostess, and then glaring fiercely round the room as if to challenge criticism. I have heard Deloraine, in a moment of irritation, describe him as a "Pre-Raphaelite attorney," but there could be no denying his good looks.

There was a new picture by Millais, the distinguished Pre-Raphaelite artist, representing a melancholy parting between two lovers. The lady's face had a great deal of sad and ominous expression; but an old brick wall, overrun with foliage, was so exquisitely and elaborately wrought that it was hardly possible to look at the personages of the picture.

This artist has been called the most original of all contemporaneous artists. He has also been called the "lyric painter"; meaning that he is to painting what the lyric poet is to literature. His work once known can almost always be recognised wherever seen afterward. He did not slavishly follow the Pre-Raphaelite school, yet he drew most of his ideas from its methods.

Miss Enid's Pre-Raphaelite brows contracted slightly. "Don't you think it would be more respectful " "Sure," agreed Quin; "I didn't mean any harm. I like Mr. Chester. He asked me to come up to his rooms some night and see his collection of flutes." "That was like him," Miss Enid said warmly. "He's always doing kind things like that.

After seeing these Pre-Raphaelite landscapes, let us imagine ourselves straightway turning to one of the numerous scenes by Whistler of the Thames at twilight, with its glimmering lights and ghostly shapes of bridges and hulks of steamers. Nothing is outlined, nothing is clearly defined, but the mystery of London's river is caught and pictured for ever.

There were two moral commonplaces, and there was the forbidden fruit-tree, whose branches diverged, at set distances like the radii of a circle, from its stem, a perpendicular line; exactly at the end of each branch hung one forbidden fruit pre-Raphaelite worsted-work. There were also two prints of more modern date, one agricultural, one manufactural.

He was a leader in the Pre-Raphaelite movement and published in the first numbers of The Germ his "Hand and Soul," a delicate prose study, and his famous "The Blessed Damozel," beginning, The blessed damozel leaned out From the gold bar of Heaven; Her eyes were deeper than the depth Of waters stilled at even; She had three lilies in her hand, And the stars in her hair were seven.

Seen in profile, His hair flowing over His shoulders, smooth in front and divided down the middle, with a nose slightly turned up and a heavy mouth under a thick moustache, with a short, curling beard and a long neck, He suggests not so much a Byzantine Christ, such as the artists of that time were wont to paint and carve, but a pre-Raphaelite Christ designed by a Fleming, or even derived from the Dutch, showing indeed that slightly earthy taint which reappeared at a later time with a less pure type of head, at the end of the fifteenth century, in the picture by Cornelis Van Oostzaanen, in the gallery at Cassel.

In England, then as now, it was enough for a man to try and produce any serious beautiful work to lose all his rights as a citizen; and besides this, the pre-Raphaelite Brotherhood among whom the names of Dante Rossetti, Holman Hunt and Millais will be familiar to you had on their side three things that the English public never forgives: youth, power and enthusiasm.

Martin Schongauer, one of the greatest German masters of the sixteenth century, is known to have been his pupil, and it is certain that there must have been many others. His poetical and profoundly human qualities had a special attraction for the "Pre-Raphaelite Brotherhood" inaugurated by Rossetti and Holman Hunt in the middle of the nineteenth century.